仙遊˙貴遊˙夢遊－李白供奉翰林的謫仙身影及其遇合困境

A Quest for Transcendence, A Quest for Honor, A Quest for Dreams: The ＂Banished Transcendent＂ Veneer of Li Bai during his Servic e at the Hanlin Academy

許東海(Hsu Tung-hai)

《人文中國學報》 23期 (2016/12) Pp. 61-92

摘要

本文透過李白入京供奉翰林前後的相關觀照，大體可以略窺李白追夢長安的謫仙身影背後，存在著漢代賦家馬、揚及東方朔等人的深刻文化召唤；至於藉由李白入京之前泰山仙遊書寫的帝王封禪及其遇合隱喻，與供奉翰林之際《清平調三首》的始於瑶臺王母及巫山神女的相關遇合隱喻，與去朝離京之後夢遊天姥書寫的長安驚夢，適可映現李白由追夢長安歷程仙遊、貴遊與夢遊前後鋪陳的謫仙三部曲。

關鍵字

李白 ； 謫仙 ； 翰林院 ； 漢賦 ； 長安 ； 詩歌

並列摘要

Studying Li Bai's works and circumstances before and after his service at the Hanlin Academy, this essay observes a deep-rooted cultural echo of the two fu writers of the Han, Sima Xiangru (179 BC-117 BC)and Yang Xiong (53 BC- 18 AD), as well as that of Dongfang Shuo (ca. 154 BC-93 BC), behind Li's reminiscence of his adventure to Chang'an in the disguise of a ＂Banished Transcendent.＂ A trilogy on Li Bai's reminiscence of his quest for transcendence, for honor, and for dreams in his Chang'an adventure may be established. This trilogy is comprised of: 1)his transcendent roaming to Mt. Tai prior to his journey to the capital, with the feng and shan rituals performed by the emperor, which metaphorically represent the poet's talent being recognized; 2)his three ＂Qingping diao＂ ci-poems composed at the Hanlin, which start with the Western Queen Mother of the Jade Terrace and the Goddess of the Witch Mountains, as a metaphor for the poet's talent being recognized; and 3)his writing about a dreaming journey to Mt. Tianmu as a metaphor for awakening from his Chang'an dream.

並列關鍵字

Li Bai ； ＂banished transcendent＂ ； the Hanlin Academy ； fu (rhapsody) ； Chang'an ； poetry