从《樵歌》的“梦”意象探析朱敦儒词的精神基调

Analysis of the Basics and the Principles of Zhu-DunRu's Poetry through the Images of Dreams in ＂QiaoGe＂

张耀龙(Yew-Loong Chan)

《南方大學學報》 1卷 (2013/11) Pp. 27-42

摘要

本文尝试通过对朱敦儒《樵歌》中频繁出现的“梦”意象作出统计、归纳与分析，结合文学史上对朱敦儒词普遍采行的“三阶段分期说”的相关论述，提出一个尝试性的观点，即我们似可将《樵歌》中频繁出现的“梦”意象及其相关内涵（梦意、梦味）视为朱词中串联、融贯其前后三阶段词作的精神基调之根本，超越此前“三阶段分期说”之种种表面差异或浅层区分的论断，进一步紧密地将其三阶段词作融贯、统合于朱敦儒前、中、后三期皆一以贯之的精神基调之中，以求进一步把握朱敦儒词的精神内涵。

關鍵字

《樵歌》 ； 梦 ； 意象 ； 朱敦儒 ； 精神基调

並列摘要

Through using statistics, inductive reasoning and analysis in the images of dreams that frequently appear in Zhu-DunRu's ＂QiaoGe＂, and combining the relevant expositions of the widely-discussed 'Zhu-DunRu's Song poetry being divided into three main stages–early, middle and later' throughout the literature history, this article attempts to introduce a new concept, which is, it is very likely that we can take the frequent images of dreams in ＂QiaoGe＂ and their relevant connotations as the basics and principles of Zhu-DunRu's work throughout the three stages, far beyond the previous conclusion stating the differences between the three stages at a superficial level. This article intensively associates Zhu-DunRu's work throughout his early, middle and later stages with his principles, strongly emphasizing that the basics and the principles of his work are all the while the same. This will further help the understanding of the connotations of Zhu-DunRu's poetry.

並列關鍵字

＂QiaoGe＂ ； Dreams ； Images ； Zhu-DunRu ； Superficial Level