應運時代而生的軍事身體與軍事劇場

Military body and theatre conforming to the times

吳佩芳(WU Pei Fang)

《國防大學通識教育學報》 9期 (2019/09) Pp. 35-51

摘要

本文將探究國共內戰後軍事身體之形成，如何成為軍事劇場的構成要件。其次，從劇作家李曼瑰、姚一葦、吳曉江、王墨林等人之創作，梳理軍事劇場的身體主體性。另比較上列四位劇作家與當代軍校生所演繹的劇作過程，來看待接續相生的戒嚴時期與解嚴後之軍事身體對軍事劇場之影響。希冀透過此一討論解答軍事身體與劇場面臨時代轉換的改變，會以什麼姿態來應對。

關鍵字

軍事身體 ； 軍事劇場 ； 李曼瑰 ； 姚一葦

並列摘要

This article explores how the military body forming after the Second Chinese Civil War formed the military theatre. In addition, it tries to understand the physical autonomy of members involved with military theatre through examining the works of four playwrights, Li Man-Kuei, Yao Yi-Wei, Wu Xiao-Jiang and Wang Mo-Lin. Furthermore, it explains how the military body of the martial law era, of the time after martial law being lifted and of the period in between influenced to military theatre by comparing the four above-mentioned playrights' works with military cadets' works. Finally, the author tries to recognize how the military body and military theatre responds to ever-changing era through this research.

並列關鍵字

Military body ； military theatre ； Li Man-Kuei ； Yao Yi-Wei