馮夢龍的小說創作觀－以《皇明大儒王陽明先生出身靖亂錄》為例

Feng Mon-Lung's view of novel from ＂Huang Ming Da Ru Wang Yang-ming Chu Shen Gin Luan Ru＂

林珊妏(Shan-Wen Lin)

《屏東教育大學學報-人文社會類》 30期 (2008/03) Pp. 1-20

摘要

明末馮夢龍為兼融儒道佛三家思想以成《三教偶拈》一書，其中的儒家代表作品為《皇明大儒王陽明先生出身靖亂錄》一書，此乃馮夢龍據《王文成公年譜》而成的傳記小說。年譜屬史事資料，而小說又為藝術創作，身為傑出小說家的馮夢龍，讓這部傳記小說呈現實多虛少、實少虛多、純屬虛構三種組合成份。分析《皇明大儒王陽明先生出身靖亂錄》的虛實成份，不僅可以觀察馮夢龍對於真實事件與虛構藝術之間的精準拿捏和運用手法，藉以印證馮夢龍《三言》中指出的小說真贋觀，更可以反映出明代心學思潮的深刻影響。因此藉由此部小說的相關例證之提出，實有助於明代小說理論及思想趨勢之具體呈現。

關鍵字

馮夢龍 ； 真贋觀 ； 三教合一 ； 王陽明

並列摘要

Feng, Mon-lung in late Ming Dynasty wrote a book entitled ＂San Giao Oh Tien＂ by integrating Confucianism, Taoism and Buddhism. The representative writing from Confucianism is ＂Huang Ming Da Ru Wang Yang-ming Chu Shen Gin Luan Ru.＂ It is a legendary novel based on ＂Wang Wen Chen Gon Nian Pu.＂ Nian Pu (a chronicle of a person's life) belongs to historic information while a novel is a kind of artistic creation. As an outstanding novelist, Feng, Mon-lung combined three elements into the novel: more substantiation and less emptiness, less emptiness and more substantiation, and sheer fabrication. We can not only observe how Feng Mon-lung handled real events and unreal art so as to demonstrate his view of novel from ＂San Yan＂ but also understand its deep impact on the trend of thought regarding mind studies in the Ming Dynasty. Therefore, as related examples given from the novel, the theory of novel and trend of thought in Ming Dynasty is thus clearly presented.

並列關鍵字

Feng ； Mon-lung ； San Giao ； Wang Yang-ming