- 期刊
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美術館與機制批判：邁向一個在地機制批判可能性之探討
Art Museum and Institutional Critique: Towards a Possibility of Local Institutional Critique
摘要
本文以美術館與其「機制批判」（institutional critique）為討論主軸，希冀提供博物館學一個外部觀看的角度。筆者首先就理論分析「機制批判」，並指出從Institutional Critique到「機制批判」此一中英文轉譯過程中所產生的核心問題。其次，爬梳「機制批判」在西方當代藝術脈絡中的發展、轉折與美術館機制的回應。最後回到臺灣現況，尋求在地機制批判在臺灣開展的可能性，並以2010年臺北雙年展為案例分析。本文指出在國家文化治理與美術館商業化走向雙重夾擊之下，發展臺灣在地「機構批判」是必要的，急迫的，也可成為應對當下現狀，以及促進美術館機制變革之方法。然而，此一在地「機制批判」必須奠基於「批判」一詞以「批評性分析」來理解，以及視美術館與「機制批判」之間為一多重對應的動態關係，而非對立，如此「機制批判」在臺灣才可能產生正面效力與意義。
並列摘要
This essay centers upon the discussion of issues between art museum and its ＂institutional critique＂ in order to provide an external perspective of Museum Studies in Taiwan. From the analysis of the term ＂institutional critique＂, firstly, the author points out the fact that there is a core problem of losing the nuance behind ＂institutional critique＂ in the translation from English to Chinese. Secondly, it is necessary to review the development of ＂institutional critique＂ within Western Contemporary Art, and also to concern its shift and to know the response from the art museums. The Final section concerns the case in Taiwan, especially the 2010 Taipei Biennial, which was taken as a case study to analyze the possibility of the emergence of a local ＂institutional critique＂. In summary, this essay argues that the crucial moment of cultural governance and commercialization of an art museum, it is essential and urgent to have an ＂institutional critique＂ in Taiwan that could further be a method to cope with the current situation and promote the change of mechanisms of an art museum. However, it is important to bear in mind that the above idea should be based on the understanding of ＂critique＂ as the notion of ＂critical analysis＂ and the concern for a multiple correspondence between the dynamic relationship between an art museum and its ＂institutional critique＂, rather than confrontation; therefore, towards local ＂institutional critique＂ it is possible to produce its own positive and effective meaning.