從研究取徑論唐君毅與徐復觀對中國藝術精神之解釋

An Approach to the Interpretations of Tang Jung-Yi and Hsu Foo-Kuan on the Spirit of Chinese Art

佘佳燕(Chia-En Shoi)

《世新中文研究集刊》 5期 (2009/07) Pp. 33-59

https://doi.org/10.30120/JICLSHU.200907.0002

摘要

本文旨從研究取徑論唐君毅與徐復觀如何解釋中國藝術精神。唐君毅對中國藝術精神的解釋，大抵採取「文化哲學」的比較觀點，從自然觀和宗教觀探討形成中西方藝術精神差異的原因，指出中西方自然含美善價值與重視自然力體驗之不同，重人倫關係與重神人關係之不同，將藝術置於人文世界作全盤考量。徐復觀則採取「歷史思想」的比較觀點，自中國內部思想脈絡的比較觀點出發，從氣韻生動解釋中國藝術精神及其「反省性反映」，南宋院畫發揚「柔須以剛大」為基柢的解釋，從「憂患意識」的價值取向論中國藝術傳統中「健動精神」之復活。

關鍵字

中國藝術精神 ； 唐君毅 ； 徐復觀 ； 文化哲學 ； 歷史思想

並列摘要

The purpose of this essay is an approach to Tang Jun-Yi and Hsu Foo-Kuan's interpretation of the Spirit of Chinese Art. Generally speaking Tang Jun-Yi's interpretation adopts a comparison viewpoint of the ＂Cultural Philosophy＂, he discuss the reason of Sino-Western's difference from the Natural and Religious Views, overall considering the art in a Humanistic World to point out that Chinese's Natural Content of Ethical-Aesthetic Value as well as its emphasis on Ethic Relation is different from the Western's Natural Forces Experience and the Relationship between God and man. Hsu Foo-Kuan adopts a comparison viewpoint of the ＂Historical Thought＂, and starts from a comparison viewpoint of the Chinese Internal Thought to explain the Chinese Art Spirit and its ＂Introspective Reflects＂ from the Rhythmic Vitality concept; we will see also his explanation on the Southern Song Dynasty Courtyard Paintings for developing the base of ＂Strong based on the Suppleness＂; and lastly, from the value orientation of the ＂Sense of Anxiety＂, his discussion about the resuscitation of the ＂Healthily Spirit＂ in the Chinese Art Tradition.

並列關鍵字

The Spirit of Chinese Art ； Tang Jung-Yi ； Hsu Foo-Kuan ； Cultural Philosophy ； Historical Thought