原著英雄造形創作之研究－以孫悟空為例

《西遊記》不僅是家喻戶曉的奇幻小說，也是許多台灣與中國大陸的電腦動畫、漫畫及遊戲產品的重要取材。該書作者吳承恩才華洋溢卻身處腐敗的官場文化而有志難伸，出自他手筆的孫悟空即代表在明末清初的封建社會，敢於挑戰神或一般平民碰不得的惡勢力當權者，勇敢又忠誠的英雄。本研究的主題是《西遊記》一書的孫悟空，藉由文獻探討以比較孫悟空在近代動漫市場上的造形形象演變，分析不同時期的形象特色。從而梳理出近十年孫悟空造形題材在國內市場停滯不前的原因，並深掘原著《西遊記》百回本孫悟空原始造形設定，透過平面繪製與3D軟體的交互使用，呈現吳承恩所描述最原始樣貌的孫悟空妖猴造形，再針對世界市場未來的展望，將之打造成能融入未來世界市場的新造形，本研究所創造的孫悟空，期待提供一個可供未來類似題材參考的設計樣板，未來運用於《西遊記》題材的相關商業創作時，可以結合在古裝的《西遊記》相關的電影或動畫、遊戲，也可融入現代的英雄舞台，貼近本世紀忙碌卻心靈空泛的觀眾心中。

關鍵字

西遊記；文化形象；創新；超級英雄；孫悟空

並列摘要

＂Journey to the West＂ is a well-known fantasy novel and inspired many computer animations, manga, and game products in Taiwan and Mainland China. The talented author, Wu Chengen couldn't bring his ideal into full play because he lived in the age when the Chinese government was corrupt. The Monkey King from his hand represents the feudal society in the late Ming and early Qing Dynasty, challenging the evil powers of the gods or ordinary civilians. This research focuses on the Monkey King from the book ＂Journey to the West.＂ The literature compares the evolution of Monkey King's design in the modern animation market and analyzes the lack of elements in different periods. To sort out why Monkey King's modeling theme has stagnated in the domestic market, it creates the modeling conditions that Monkey King must have as a superhero. The Monkey King shape created by this research is equivalent to the ＂Baolian Lantern＂ version in 1999. The appearance has become more friendly and accessible with the completion of the scriptures. Faced with the ever-changing global market, this created the superhero Monkey King looks forward to providing a design model to reference the same theme in the future. When the superhero Monkey King uses the commercial creation of the theme of ＂Journey to the West＂ in the future, it combines with the ＂Journey to the West＂ related movies, animations, games or incorporating into modern stage plays; it is close to the hearts of the busy but empty-hearted audiences of this century.