公路微電影作品《旅人》之創作論述

本研究透過藝術創作與理論的研究，進行對於公路以及愛情的主題創作，探索公路片的條件及模式，以及如何將其融入承諾之愛。台灣美景不勝枚舉，除去觀光勝地，也有非常多的私房美景，成為許多人旅遊的壓箱寶，若是能透過公路片將其拍攝出來，不僅能分散觀光勝地的人潮、更能加深對於當地的好感。根據羅伯特．史坦伯格的愛情三角理論的結構去思考劇本面向，創作出男女主角之間同時擁有親密、熱情、承諾的完美之愛，以及女主角與女配角親密加上承諾的友誼之愛。根據現有條件後，與製作小組使用川喜田二郎統整出的KJ法作為創意發想，根據與製作小組不經取捨的意見歸納及統整之後，開始創作出故事架構。

關鍵字

公路片；微電影；蒙太奇理論；愛情三角理論

並列摘要

This research uses artistic creation and theoretical research to create the themes of roads and love, explore the conditions and modes of road films, and how to integrate them into the promised love. Taiwan's beautiful scenery is endless. Except for tourist attractions, there are also many private houses, which have become a treasure for many people to travel. If they can be photographed through road films, it will not only disperse the crowds of tourist attractions, but also deepen the local Good impression. Based on the structure of Robert Steinberg's Love Triangle Theory, we can create a perfect love of intimacy, enthusiasm, and commitment between the hero and the heroine, as well as the intimate love of the heroine and the supporting actress plus the promise of friendship. . Based on the existing conditions, and the production team used the KJ method unified by Kawakita Jiro as a creative idea. After summarizing and integrating with the production team's unbridled opinions, they began to create the story structure.

並列關鍵字

road film ； micro film ； montage theory ； love triangle theory

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