Luo Qing advocated a new genre of Taiwanese modern poetry through his "Video Poetics" in 1988, which explores the implications of the electronic media and the importance of visual image. He proposes 'theory of video poetics' by analyzing the differences of the perspective between traditional Chinese painting and western painting, combining with ideas of post-modernism that also ‘introduced’ to Taiwan by Luo Qing. However, the spirit in "Video Poetics" is hardly investigated before this study. In fact, as a Chinese painting artist at the same time, Luo Qing added the visionary experiences into modern poetry trough created new ways of writing and reading. This project offers further reflections on "Video Poetic", illuminating its meaning and position in Taiwanese poetry during 1980s.