高雄市廟宇傳統聖樂之現況調查與研究

Research on the Development of Kaohsiung Temples' Ritual Music

黃鴻璋 (Hong-Chang Huang)

《高雄文獻》 12卷2期 (2022/12) Pp. 34-57

摘要

在高雄廟宇中存在一種樂種，廟方都稱它為「聖樂」，即是目前被列為文化部文化資產局所保護的傳統民間樂種－「十全腔」。此樂種舊稱「十三音」或者「拾全腔」，目前它是依存在高雄「扶鸞信仰」的廟宇中，為廟宇中神明祝壽或其他慶典上所使用的音樂種類。從文獻查找中得知：在臺灣研究這一樂種的人並不多見，且查找得文獻多已歷時了十年以上，故此研究書寫是以再續研究為主，主要調查內容為：目前聖樂團在廟宇中存續的現況、聖樂團在演出的內容上，是否有了變遷，以及聖樂團現臨的困境為何與未來存續的展望。

關鍵字

十全腔 ； 拾全腔 ； 十三音 ； 聖樂團 ； 鸞堂聖樂

並列摘要

The ritual music is a genre of music performed in Kaohsiung's temples. It was called "Shi San Yin" or "Shi Quan Qiang" in ancient times and now is listed as a traditional folk music preserved by Taiwan's Cultural Assets Bureau under the Ministry of Culture. It is currently affiliated to the "Fu-luan belief" and played in celebration of the gods' birthdays as well as in other religious gatherings. According to the literature studied, it is found that in Taiwan the number of research related to the ritual music is scarce, and most of the existing references have had a history of more than a decade. To make up the insufficiency of previous paper and continue the uniqueness of the ritual music, this paper investigates into the current situation of the ritual music and the development of its genre. The difficulties encountered and its future prospect are also examined.

並列關鍵字

Shi Quan Qiang ； Shi San Yin ； the Music of Fu-Luan Belief ； Shi Quan Qiang Orchestra