以音聲做佛事、用歌聲弘佛法－台灣佛光山梵唄與佛歌之探究

Dharma Function with Sound, Dharma Propagation with Music - A Study of Buddhist Hymns and Buddhist Songs of Fo Guang Shan

狄其安(Di Qian)

《《人間佛教叢書》2016星雲大師人間佛教理論實踐研究(下)》 2016 (2017/10) Pp. 308-333

摘要

本文通過對星雲大師開創的臺灣佛光山佛教道場梵唄與佛歌的歷史與現狀的介紹，同時對部分梵唄與佛歌的音樂形態做學術研究，通過具體的音樂形態對佛光山梵唄演唱，以及佛歌創作特色與流行的原因作以分析。文中分析的譜例大部分是論文作者通過錄音記譜，部分錄音由台灣佛光山人間佛教研究院提供，部分則是論文作者在佛光山大雄寶殿現場所錄。

關鍵字

海潮音 ； 梵唄 ； 佛歌 ； 歌謠 ； 新世紀音樂（New Age Music）

並列摘要

This paper introduces the historical development and current state of Buddhist hymns and songs at Fo Guang Shan, an international Buddhist headquarters founded by Venerable Master Hsing Yun. This study also offers academic analysis of the musical forms from a selected set of Buddhist hymns and songs with a specific focus on how particular musical forms are manifested in these as well as why they have become popular. Most of the musical scores are transcribed by the author from recordings made in the main shrine of Fo Guang Shan. Other parts of the musical scores are provided by the Fo Guang Shan Institute of Humanistic Buddhism.

並列關鍵字

tidal sound ； Buddhist hymn ； Buddhist song ； folk song ； new age music