- 期刊
關於“救贖”的寓言敘事－中華內地會晚清傳教畫解讀
The Allegorical Narration of Redemption: An Analysis of the Missionary Paintings of China Inland Mission in the Late Qing Dynasty
並列摘要
This article explores the book Eye Gate: The Value of Native Art in the Evangelization of China (1897) and related historical materials on the China Inland Mission and discusses the symbolism in the missionary paintings of the Qing Dynasty and the inculturation process. Missionaries sent to the interior of China imbedded themselves in grass-root society. Through the depiction of narratives and the use of symbols, they presented the image of Jesus Christ as one closely related to people's daily needs and concerns. The purpose was to help believers overcome life's hardships by transcending them. This well illustrates the courage and the hope offered by the Christian faith, which effectively inculturated Christ, the symbol of salvation, into the native consciousness and everyday life of the Chinese people.
延伸閱讀
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- 鍾雲鶯（2008）。民初救世新教之《大學證釋》研究。中央大學人文學報，(35)，83-123。https://doi.org/10.29905/JCUT.200807.0003
- 張俊（2009）。美、形式與啟示－巴爾塔薩神學美學救贖觀錐指。道風：基督教文化評論，(30)，233-249。https://www.airitilibrary.com/Article/Detail?DocID=P20170411002-200901-201705100025-201705100025-233-249
- 曾慶豹（2020）。Christianity as a Form of Imperialist Cultural Invasion-The Historiography of Chinese Christianity under the CCP's Perspective。華神期刊，(11)，10-29。https://www.airitilibrary.com/Article/Detail?DocID=19986505-202012-202111180010-202111180010-10-29
- 金韋萱（2022）。Reconstructing the Story of the Incarnation in Late Ming China: Giulio Aleni's Narratives, Images and Hermeneutics of Jesus Christ〔碩士論文，國立臺灣師範大學〕。華藝線上圖書館。https://doi.org/10.6345/NTNU202201707