- 期刊
Introduction: Hong Kong Independent Cinema in the Post-Handover Era
參考文獻
Adorno, Theodor W. “Cultural Criticism and Society.” Prisms. Trans. Samuel Weber and Shierry Weber. Cambridge, MA: MIT P, 1983. 17-34.
Tam, Enoch Yee-lok, Vivian P. Y. Lee, and Kenny K. K. Ng. Xianggang duli dianying tujing: fangwen pinglun ji (Indiescape Hong Kong: Critical Essays and Interviews). Hong Kong: Typesetter, 2018.
延伸閱讀
- Fu, P., Desser, D., & Hitchcock, L. (2005). The Cinema of Hong Kong: History, Arts, Identity. 現代中文文學學報, 6(1), 175-183. https://www.airitilibrary.com/Article/Detail?DocID=10265120-200501-201008040027-201008040027-175-183
- Lam, H. K. (2013). The cinema of development: class factors and global trends in Hong Kong cinema [doctoral dissertation, The University of Hong Kong]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0029-0511201300009097
- 馮建三（2003）。Interpreting the Rise and ＂Decline＂ of HK Film Industry。中外文學，32(4)，87-111。https://doi.org/10.6637/CWLQ.2003.32(4).87-111
- Lin, T. Y. (2020). Re-Negotiations of the ＂China Factor＂ in Contemporary Hong Kong Genre Cinema. Concentric： Literary and Cultural Studies, 46(1), 11-37. https://doi.org/10.6240/concentric.lit.202003_46(1).0002
- 朱耀偉（2001）。(In) Authentic Hong Kong: The ＂(G) Local＂ Culture Identity on Postcolonial HK Cinema。中外文學，29(10)，6-18。https://doi.org/10.6637/CWLQ.2001.29(10).6-18