- 期刊
現代漢詩中的自然景觀：書寫模式初探
Natural Scenery in Modern Chinese Poetry: A Preliminary Study of Modes of Writing
並列摘要
This paper offers a preliminary study of natural scenery in modern Chinese poetry. By examining the historical context, philosophical orientation, and aesthetic paradigm of nature writing, the paper proposes that humanistic allegorization is a salient feature and, as such, is a significant manifestation of the modernity of modern poetry in Chinese. Expanding on this premise, it then discusses two contrasting modes of writing: the romantic and the object-centered.
延伸閱讀
- 蘭輝耀（2022）。明清書家論自然書寫的養成。中華書道，(117)，53-69。https://www.airitilibrary.com/Article/Detail?DocID=a0000459-202212-202212230006-202212230006-53-69
- 李志銘（2011）。探尋當代書籍設計的漢字書法藝術。全國新書資訊月刊，(149)，15-21。https://www.airitilibrary.com/Article/Detail?DocID=P20130812006-201105-201309090004-201309090004-15-21
- 馬銘浩（2021）。漢代經學視域下的書寫美感和書法藝術。夏荊山藝術論衡，(12)，9-27。https://www.airitilibrary.com/Article/Detail?DocID=P20161108001-202109-202210060010-202210060010-9-27
- 馬哲詩（2011）。A Study of the Compilation and Translation of Modern Chinese Poetry〔碩士論文，國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2011.00534
- 李宜學（2011）。A Study of Wang Yuyang's Theory and Practice of Seven-syllable Ancient Poems。淡江中文學報，(24)，85-130。https://doi.org/10.6187/tkujcl.201106.24-4