嶺南畫派形成動因及繪畫風格研究

Research about the Formation Motivation and Painting Style of Ling-Nan Painting School

馬譽榕(Yurong Ma)

《IETI Transactions on Social Sciences and Humanities》 7卷 (2020/05) Pp. 111-116

https://doi.org/10.6896/IETITSSH.202005_7.0013

摘要

本文對嶺南畫派形成動因及繪畫風格為研究对象，本文專門述了畫派的成因和形成過程，並分對於繪畫風格進行了深刻地分析。高劍父、高奇峰、陳樹人是嶺南畫派的創始人，簡稱“二高一陳”，早年東渡日本留學，在傳統的繪畫語言中不僅融合西方的繪畫營養，還有著對中國傳統筆墨的保留。二十世紀初期的嶺南畫派，培育出大批具有革新精神的藝術畫家，時至今日仍在影響著後世。嶺南畫派對近現代中國畫的藝術價值是不可估量的。

關鍵字

嶺南畫派 ； 折衷中西 ； 繪畫風格 ； 藝術價值

並列摘要

This article focuses on the formation motivation and painting style of Ling-Nan School of Painting, and specifically discusses the causes and formation process of painting school and the analysis of painting style in the article. The founders of the school, Gao Jianfu, Gao Qifeng, and Chen Shuren, referred to as ＂two Gao and one Chen＂, went to Japan to study abroad in their early years. In the traditional painting language, they not only integrated the nutrition of Western painting, but also retained the traditional Chinese brushwork. The Ling-Nan School of Painting in the early twentieth century nurtured a large number of innovative painters, and it still affects future generations. The artistic value of Ling-Nan Painting Party in modern Chinese painting is inestimable.

並列關鍵字

Ling-Nan Painting School ； Compromising cultures between the east and the west ； Painting language ； Aesthetic value