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  • 期刊

The Allocation of Images and Texts: Tracing to the Source of Early Preface and Postscript in Ancient China

摘要


When preface and postscript in ancient China was at a nascent stage, the coexistent form of images and text appeared. The unique visual contrast form between image and text was produced in the allocation process of coexisting image and text. A sense of rhythm and space is derived, extending from the two‐dimensional visual image to more levels of aesthetic synaesthesia. The dynamic image features gradually integrate with the static textual expressions, conveying a mood of space‐time dialogue.

參考文獻


Cong Wenjun. History of Chinese Calligraphy•Pre-Qin•Qin Dynasty Volume [M]. Nanjing: Jiangsu Education Publishing House, 2009, p.295.
(USA) Wu Hong. Wuliang Temple——the Ideological Nature of Ancient Chinese Portrait Art [M]. Beijing: SDX Joint Publishing Company, 2015, p.102.
Chen Baozhen. "The Goddess of the Luo Painting" and Ancient Chinese story Paintings [M]. Hangzhou: Zhejiang University Press, 2012, p.183.
Li Yanfeng. Research on the Relations between Language and Images in the Chinese Painting History[D]. Shanghai: Shanghai University, 2010, p.91.

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