When preface and postscript in ancient China was at a nascent stage, the coexistent form of images and text appeared. The unique visual contrast form between image and text was produced in the allocation process of coexisting image and text. A sense of rhythm and space is derived, extending from the two‐dimensional visual image to more levels of aesthetic synaesthesia. The dynamic image features gradually integrate with the static textual expressions, conveying a mood of space‐time dialogue.