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中國近代設計源流上海學的研究框架与脉络初探

A Preliminary Study of Research Framework and Context about Modern Chinese Design's Source in Shanghai

摘要


近20年來,隨著中國經濟發展和國際地位的提升,其文化價值在全球的重要意義逐漸被關注。這當中,文化美學是構成一個國家文化價值、文化形象乃至民族性審美價值判斷的重要部分。針對國家性的文化美學的瞭解自然要涉及到有關藝術史、設計史的深入挖掘和揭示。在中國,其中重點之一就是對中國現代設計進行追溯源流的研究。本文從中國近代設計源流上海學研究的意義、框架、方法、問題思考等角度對該研究進行詳細介紹。著重闡述設立該研究方向的重要性、構成研究框架的五個脈絡以及脈絡之間的關係。理清中國近代設計源流上海學的研究思路和方法,為開展更深入地研究做理論準備。本文提出中國近代設計源流上海學研究與中國近代文化美學研究間的緊密聯繫,以及其研究內容在文化美學層面上的意義。同時,本文亦強調,在面對跨地域性文化交流環境時對文化美學以及設計史的研究應當抱以平等相待的態度,避免過分強調民族性和國家性而導致本位主義的錯誤。

並列摘要


In the recent 20 years, with development of Chinese economic and the promotion of its national status, the significance of its cultural value in the world has been paid more attention. Cultural Aesthetics is a very important part of national cultural value and cultural image, and be close to nationality aesthetic judgment. Normally research of art history and design history of a country is necessary stage of research national cultural value. As an important part of it in China, research of Chinese modern design history become a focus, and one part of it is research of the beginning of the history. The value of the research, the structure, methods and problems of it will be described in this article. Moreover explain the five main parts of the structure and the relationship between them is also the content of the text. It is also the preparation of whole works about this research. This paper puts forward the close connection between the research about origin of Chinese modern design in Shanghai and the research of Chinese modern cultural aesthetic, and the significance of research content in Cultural Aesthetics. Meanwhile, In the face of cross-regional and national cultural exchange environment, the study of cultural aesthetics and design history should be treated equally, specially avoid errors of departmentalism caused by overemphasizing national character and national status.

並列關鍵字

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