論星雲大師的自然審美觀

On Master Hsing Yun's Aesthetics of Nature

高文強(Gao Wenqiang)

《無礙法界．正教弘傳：人間佛教在東亞與東南亞的傳佈》 2020年 (2020/04) Pp. 28-40

摘要

星雲大師的自然審美觀主要體現在三個方面，其一是「天地皆是文章」的思想，它蘊含著物語之美。通過自然的語言——物語，人們能夠從中有所體悟和思考。星雲大師倡導人們要經常接觸與親近自然，從而寬大其心胸，於大自然中體會學習之道。物語之美，還美在它「以物觀物」的審美方式。其二體現在「眾生平等」的思想之中。星雲大師自始至終對動物們懷以仁愛與慈悲，提倡人與自然和諧相處。其三是星雲大師對禪與自然之關係的看法，即禪與自然的美感具有通聯性。星雲大師的自然審美觀受到了佛教思想，諸如三法印、緣起論、「萬法唯心」、平等觀、禪宗思想及人間佛教思想的深刻影響，從而顯示了其自然審美觀的獨特內涵。

關鍵字

星雲大師 ； 自然 ； 審美 ； 人間佛教

並列摘要

Master Hsing Yun's aesthetics of nature is mainly reflected in three aspects. One is the idea of ＂heaven and earth are both writing＂, which implies the beauty of wuyu . From the language of nature----wuyu, humans can experience and reflect. Master Hsing Yun advocates humans' being close to nature so as to broaden their mind and understand the art of learning. The beauty of wuyu also lies in its aesthetic manner of ＂viewing objects in terms of objects＂. The second is the idea that all human beings are born equal. Master Hsing Yun always shows mercy on animals and advocates harmony between man and nature. The third is Master Hsing Yun's view on the relationship between Zen and nature, i.e. there is a connection between Zen and the beauty of nature. Influenced by Buddhist thought such as three marks of existence, Theory of Origin, ＂all of Dharmadhatu come from our mind＂, a concept of equality, Zen thought and Humanistic Buddhism, Master Hsing Yun's aesthetics of nature manifests a particular connotation.

並列關鍵字

Master Hsing Yun ； nature ； aesthetics ； Humanistic Buddhism