國樂多元語彙的融合與表達──從中華國樂學會2018－2020之委約作品談臺灣當代國樂之創作特徵

本研究以中華國樂學會2018－2020之委約創作的三十首國樂作品為研究對象，以學界目前關於國樂發展分期的研究成果為研究動機，運用訪談、音樂分析、文獻分析和影音資料觀察等研究方法，得以管窺當下臺灣國樂作品創作之樣貌與型態。全文共分為三個部分：第一部分對學界關於「當代音樂」的系列研究展開梳理；第二部分從人、事、時、地、物五個方面全面考量中華國樂學會委約的三十首作品。以作曲家之世代、背景、使用音樂元素等不同面向加以分類，對當代國樂創作之樣貌予以初步描述；第三部分運用陳慧珊之當代音樂具有多元性、折衷性及無常性的觀點，帶入三十首國樂作品的創作特徵，並逐一結合作品，展開分析。研究結果顯示，臺灣當代國樂作品創作具有：素材與形式的多元性、理念及內容的折衷性及創作和詮釋的無常性等三個特徵。研究者通過對臺灣當代國樂創作樣貌的描述，分析臺灣當代國樂在地化之發展過程中根植於傳統的重要性與時弊，以期達到拋磚引玉之效果，從而吸引更多的學者展開相關研究。

關鍵字

臺灣國樂；當代國樂創作；音樂特徵；素材與形式的多元性；理念及內容的折衷性；創作和詮釋的無常性

並列摘要

This study takes 30 Chinese music works created by the Commission of the Chinese music society 2018-2020 as the research object, takes the research results of the current research achievements of the academic circles on the development stages of national music as the research motivation, and uses the research methods of interview, music analysis, literature analysis and video and audio-visual data observation to get a glimpse of the present Taiwan Chinese music works creation. The first part is a series of studies on contemporary music in the academic circle; The second part considers the thirty works appointed by the Chinese Music Association from five aspects: people, affairs, time, land and material. The author classifies the composition from different aspects, such as the composer's generation, background and music elements, and gives a preliminary description of the contemporary national music creation; The third part uses the viewpoint that Chen Huishan's contemporary music has the diversity, compromise and impermanence, and brings the creation characteristics of thirty national music works, and analyzes them one by one. The results show that the creation of contemporary Chinese music works in Taiwan has three characteristics: the diversity of materials and forms, the compromise of ideas and contents, and the impermanence of creation and interpretation. Through describing the artistic appearance of contemporary Chinese music in Taiwan, the researchers analyze the importance and disadvantages of the traditional culture music in the process of the development of the localization, in order to achieve the effect of putting bricks into the jade, and attract more scholars to carry out relevant research.

並列關鍵字

Taiwan Chinese music ； contemporary national music creation ； music features ； diversity of material and form ； compromise of concept and content ； impermanence of creation and interpretation

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