馬來西亞華族舞蹈的跨文化表演形態研究

從世界範圍看，表演藝術的跨文化研究已成為一門顯學，全球在地化（gloacalization）也日漸成為學界所關注的焦點，對於區域性跨文化的研究顯得尤為重要。本研究通過對法國戲劇學者理查．謝喜納和帕維，臺灣學者石光生和陳慧珊等人對表演藝術領域跨文化理論的梳理和分析，遵循跨文化理論的學理基礎，結合舞蹈藝術自身的特質，以馬來西亞華族舞蹈為研究对象，探究隨著華人移民在馬來西亞的落地生根，在馬來西亞多元族群、多元宗教和多元文化的社會脈絡下，馬來西亞華族舞蹈所呈現的多種跨文化表演形態，進而分析四種跨文化表演形態的文化特質和美學特徵，以此為海外華族舞蹈的跨文化研究以及馬來西亞華族舞蹈相關概念的界定和厘清提供學術參考。

關鍵字

馬來西亞華族舞蹈；跨文化舞蹈；表演形態

並列摘要

From the perspective of the world, intercultural research on performing arts has become a prominent science, and gloacalization has gradually become the focus of the academic circle, which is particularly important for regional intercultural research.This research through the French drama scholar Richard Schechner and Patrice Paris, Taiwan scholar Shi Guang Sheng and Chen Hui Shan for the performing arts field of inter-cultural theory carding and analysis, follow the theory foundation of theory of intercultural dance art combining its own characteristics, with the Malaysian Chinese dance as the research object, explore the roots with the Chinese immigrants in Malaysia, multiple ethnic groups in Malaysia, the context of religious diversity and multicultural society, Malaysian Chinese dance shows a variety of intercultural performance form, and then analyze the four kinds of cultural traits and aesthetic features in the form of intercultural performance, It provides an academic reference for the intercultural study of overseas Chinese dance and the definition and clarification of related concepts of Malaysian Chinese dance.

並列關鍵字

Malaysian Chinese dance ； cross-cultural dance ； performance form

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