「魔幻寫實主義」從某種思維,藉各類藝術創作或商業載體,已在人眼所視範圍,形成無數如夢的宇宙,尤是小說或戲劇作品等等。2011年由吳明益先生創作之小說《複眼人》中,魔幻描寫了人類與大自然掣肘之現世背景,至2020年乍現新冠肺炎(COVID-19)肆虐全球,是以,魔幻寫實遂與人類的現實竟如此靠近,此即是本文撰寫之端。本文之文獻探討將簡述「魔幻寫實主義」定義,並由馬奎斯先生所著《百年孤寂》,相佐對應。另外,《複眼人》小說所遍及之類南島語族文化、台灣鄉野傳說,亦將於文獻中理析。接之,研究方法和創作執行篇章,綜合文獻羅搜的概念,將《複眼人》中最富魔幻的角色「阿特烈」,具體使用台灣原住民或南島語族的編織風格,對其進行創作身上之物件-「坎肩背心」。屆此,結論篇章,鍥中本文命題-「魔幻寫實小說中之魔幻物件現實化」。
Through various forms, "Magic Realism" has created countless and dreamlike universes, especially practiced on novels and dramas. In the novel "The Man with Compound Eyes" written by Mr. Wu, Ming-Yi in 2011, the magical depiction describes the contemporary background of the constraints between mankind and nature. When we observe the worldwide ravage by COVID-19 in 2020, suddenly we realize how close the magical realism and the reality are. This is the beginning and why I wrote this thesis. This thesis discusses the definition of "Magic Realism" and reflects it on the novel "One Hundred Years of Solitude" by Gabriel García Márquez. In addition, the Austronesian culture and Taiwanese folklore in the novel "The Man with Compound Eyes" are analyzed in the thesis as well. To follow above, regarding the chapters of research methods and creation execution, they hit the proposition of my thesis: "Realization of Magical Objects in Magical Realistic Novels" by studying the most magical role in the novel, "Atile'i" and his wearing "Vest", which uses the knitting style from Taiwan aborigines or Austronesian.