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  • 學位論文

「讓我的歌把你留住」:瓊瑤電影音樂研究

Research on Qiong Yao Films

指導教授 : 沈冬

摘要


瓊瑤電影意指翻拍自瓊瑤小說的電影,從1965年《婉君表妹》到1983年《昨夜之燈》為止,總計共有五十一部,其豐富的音樂表現在瓊瑤電影中具有重要的敘事及抒情功能。瓊瑤電影在華語地區的風靡以及與唱片工業的結合,使大量的電影插曲因應而生,超過一百二十首的插曲對於臺灣1970年代的流行歌曲產業而言有著深遠的影響。然而以往的研究較少探討音樂在瓊瑤電影中的重要意義,因此本研究透過三種媒介──瓊瑤原著小說、瓊瑤電影文本,以及電影原聲帶唱片切入此議題,並從電影音樂的三個部分──歌曲、器樂演奏以及配樂的角度,將瓊瑤電影音樂化分為三個時期,重新檢視音樂對於瓊瑤電影類型所造成的影響。本研究發現,瓊瑤電影在歷經了多年的演變,逐步走向具歌唱片風格的類型電影發展,歌曲在電影及唱片中的置入,成功達到「讓我的歌把你留住」的策略。除了在電影敘事中產生意義,更成功地留住了觀眾。最後,本文從三部電影的影音分析,驗證三個時期電影中的的音樂風格轉變,深入說明歌曲在電影中的使用,進而建構了「瓊瑤電影音樂/歌曲」的概念,並為瓊瑤電影類型提供了全新的觀看視野。

並列摘要


“Qiong Yao films” refers to the films adapted from popular Taiwanese novelist Qiong Yao’s novels. 51 Qiong Yao films had been released in total during 1965-1983, of which Four Loves was the first one and Last Night’s Light was the last. In these films, music plays an important role in narrative and lyrical functions. With the success of Qiong Yao films, dozens of popular songs were composed through the cooperation between the movie and record industry. More than 120 songs from these films had great impact on the popular music culture of the 1970s. However, few studies had focused on the issue of music in Qiong Yao films. My research investigates the influences of songs and music scores in Qiong Yao films and how they formed the core concepts of genre film. This research examines music of Qiong Yao films, which includes songs, musical performances and film scores. Furthermore, the development of Qiong Yao films over time can be separated into three stages, of which different music styles and functions were represented. This research argues that Qiong Yao films cannot only be categorized as melodramas, but that they also turned themselves into musical films as time passed. Arrangement of songs in Qiong Yao films and soundtrack records became more indispensable to their plot development and commercialization. Lastly, I will analyze three Qiong Yao films to explain the styles and functions of music in those three stages This research reconstructs the idea of Qiong Yao film soundtracks. Moreover, it provides a new horizon of watching Qiong Yao films.

參考文獻


Chion, Machel. 1998. Audio-vision: Sound on Screen. New York: Columbia University Press.
Cook, Nicholas. 1998. Analysing Musical Multimedia. London: Clarendon Press.
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有田芳生。2006年《我的家在山的那一邊》。台北市:普金傳播。

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