- 學位論文
謝靈運山水詩情、景、理、事關係研究
A Study of the Qing (emotion), Jing (scene), Li (pattern/order) and Shi (narration) of Xie Ling-yun’s Landscapes Poetry
摘要
本文旨在探究謝靈運山水詩中「情」、「景」、「理」、「事」之關係。謝靈運詩之「情景交融」與否一直古今研究者論辯不休的問題，對於其大量以玄理入詩的寫作手法，歷代論者亦有大異其趣的評價。然而，各家說法雖似相互扞格，卻均言之成理，遂引發本文進一步研究之動機。本文首先發現，在謝靈運山水詩以「敘事」為框架的寫作脈絡中，流貫詩篇的主要思維為其內在情與理的對話與辯證，而居於詩篇中重要位置的山水景物則分別與情、理有不同的微妙關係。一方面，山水是詩人契悟玄理的載體；另一方面，山水亦是詩人情感寄託的對象或觸發的媒介。在不同詩作中，隨著謝靈運生涯行跡和心路歷程的不同，情景、景理、情理也表現出不同的關係。 本文緒論對歷代學者相關論述作簡要回顧，並在本文討論範圍內對情、景、理、事作出界義。第二章從其生涯對仕隱出處的思考歷程出發，分析其詩歌中情理對話的內容和演變。第三章探討「玄理」與其山水景物描寫之間的關係。第四章則回歸到「情景關係」的討論，探究在「以理節情」、「寓理於景」的訴求下，謝靈運山水詩中的情和景如何呈現相互感發與喻託的關係。第五章則以其詩中「敘事」的章法統合前述景、情、理的關係，進而指出謝靈運山水詩在處理情理、景理、情景關係時，有何精彩獨到之處。
並列摘要
This thesis will aim to explore the Qing (emotion), Jing (scene), Li (pattern/order) and Shi (narration) of Xie Ling-yun’s Landscapes Poetry. Ancient and modern researchers have been endlessly debate the issue of “Fusion between emotion and scene” of Xie Ling-yun ’s Landscapes Poetry. For he used a lot of Toaism vocabulary in his poems, ancient commentators also have a very different creature evaluation. However, even though each statement seems to contradict each other, they are all justified. This then lead to the motivation of further study of this thesis. This thesis discovered that In Xie’s Landscape Poems of "narrative" as the framework for writing context, the main contents of the poems are inner feeling and reason for its dialogue and dialectic. And in an important position in the Psalms landscape features were with intelligence, reason there are different subtleties. Landscape is the carrier of the poet comprehend Toaism, and the poet also expressed his emotion through Landscape. In different poems, with Xie’s different career deeds and mentality, the relation of emotion, scene and Toaism are different as well. This paper discusses the introduction on the ancient scholars make a brief review of the relevant and difine “Qing,” “Jing,” “Li,” and “Shi.” The second chapter its provenance career right Recluse thinking processes, analyzes its poetry content and evolution of sensible dialogue. The third chapter discusses the "Toaism" and the scene. The forth chapter then returns to the discussion of "fusion of emotion and scene.” The fifth chapter will aim to discuss the narration of Xie’s poems, and to point out the unique Artistic achievement of Xie’s Landscape Poetry.