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  • 學位論文

臺灣五年級女性小說家身世書寫之研究

A Study on the Autobigraphical Novels Written by Three Taiwanese Women Writers born in 1960’s

指導教授 : 柯慶明

摘要


台灣自九0年代以來,女性作家書寫身世系譜題材的作品漸而增多,這些作品多半牽涉到女性史與記憶的改寫工程,一方面重新追溯生命的成長歷程,一方面加以省思自我的定位所在,並有許多作品以帶有自傳式色彩的書寫方式加以呈現。而本論文擬以「世代」的觀察來作為研究角度,其意在突顯創作者生長歷程中所共同經歷的時代背景、氛圍及其影響,加以統籌規範其世代特色所反映在作品中的特殊樣貌。研究範疇的界定上,以台灣「五年級」世代作為切片觀察,他們成長的階段歷經台灣高度工業化、城市化的年代,不論在社會制度、家庭結構、政治變革、文化風氣、城鄉變遷上皆共同經歷時代內在「質變」的時期,其特殊的過度性位置與年代,使得他們成為一群標誌鮮明的社群,反映在文學創作上,則提供了研究者一個切入與思考的視角;而在文本選擇上,則以女性小說家作品中,具有自傳性色彩、描寫成長經歷與含有家族書寫特性的「身世書寫」為研究焦點,探討文本中人物由叛逆走向和解、由離家到重返家園的種種成長生命歷程,及其內心展演與詮釋,在文本背後所召喚的某種潛在創作意識。   本論文由性別意識與感官書寫的討論為起點,擴及家族內部的成員互動、父系母族的糾葛與認同,再延伸至時代背景與身分認同等面向的探討,由內往外漸次發展論述的焦點,從中探尋女性小說在身世書寫題材中,以各式姿態來處理面對成長書寫中的掙扎與困境時,所呈現出的身世足跡。第一章為緒論,共分為「研究動機與目的」、「研究範圍」、「文獻探討與研究回顧」與「研究方法與篇章架構」共四節,以闡明本論文的論述基點。第二章「女性身世書寫之性別意識與感官記憶」,以本論文所討論的作品,透過特殊的感官經驗與身體記憶,來展演流動的自我意識主題,以及對上一代女性命運觀的反思和自我察覺。第三章「女性身世書寫之父族、母系版圖」,主要關注的主題在於女性身世書寫中父族以及母系兩大支線所呈現的微妙、複雜面向。第四章主要探討文本中所呈現的時代背景與身分認同。第五章結論,則先將各章統一彙整,以求對於文本作品的全面觀照,並從文學外部的社會脈絡系統,加以觀察世代特色的涵蓋下,來探究「身世書寫」密集出現的背後線索,與作家本身可容追溯的各種書寫意圖。

並列摘要


Since 1990 in Taiwan, the women writer writes the works of the autobiographical novels increases gradually, these works involve women's history and rewrite project of memory mostly. On one hand, the works trace back to the growth course of the life again. On the other hand, they make the authors ponder over their self- localization. The thesis is base on the “generation” as studying, the purpose of the study is to show the character of era background how to effect the authors’ works .The selection of texts, is regard to the generation of Taiwan’s women novelists born in 1960’s.The stage that they grow up goes through the high industrialization of Taiwan, no matter in social system, family's structure, politics, culture atmosphere, all in the period of the qualitative change.Its special excessive position, make them become agroup with distinct sign, reflected by literary creation, has offered a direction of study.The autobiographical novels, contain family characteristic of writing and life experience.The text personages are from rebel against move towards conciliating, growing up the life course from all sorts of leaving home to returning to one's homeland.To disscuss the probable meanings behind text.   The discussion of the thesis begins in gender consciousness and organ writing, expand to the affection of the family members, finally discuss the era background and identity.Chapter one is the introduction, divide into ”research motive and purpose “, “ research range “, “ document probe “and “ the study approach and chapter structure “. Chapter two ”gender consciousness and organ memory “. With the women novelists born in 1960’s, , the novel creates special organ experience and body memory,to perform the self- consciousness. Chapter three '”the writing about family “, pay attention to the daughter how to describe her father and mother.Chapter four is “era background and identity “, probe into the era background in text and character’s identity. Chapter five is the conclusion, To unite every chapter first, in order to take a consideration in an all-round way, from literary external social observation of thought system, observe generation under characteristic containing, to find the clue about “life experience write,” and all kinds of authors’ writing purpose.

參考文獻


郝譽翔《逆旅》,台北:聯合文學,2000年
── 《天涯海角-福爾摩沙抒情誌》,台北:聯合文學,2002年
簡媜 《天涯海角-福爾摩沙抒情誌》,台北:聯合文學,2002年
利格拉樂•阿女烏《誰來穿我織的美麗衣裳》,台北:晨星出版社,1996年
陳芳明《危樓夜讀》,台北:聯合文學,1996年

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張淑華(2013)。九〇年代崛起台灣女性作家的創傷書寫——以鍾文音、郝譽翔和陳雪為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2013.01466
陳姿瑾(2009)。女�城:論90年代以後臺北城市文化變遷與「新世代」女性小說家〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2009.03227
陳慧蓉(2010)。賴香吟作品研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315184168

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