論高達美藝術哲學的模仿論

On the Theory of Mimesis in Gadamer's Philosophy of Art

黃詩涵(Shih-Han Huang)

指導教授 ： 陳榮華

國立臺灣大學/文學院/哲學研究所/碩士(2015年)

https://doi.org/10.6342/NTU.2015.02533

摘要

模仿論長久以來被認為是過時的理論。但本文將說明高達美模仿論如何挑戰此成見。在指出高達美藝術哲學汲取了古典模仿概念裡去除藝術神秘化的「重認」元素後，我們將說明高達美如何推翻了柏拉圖所堅持的原型對模仿支配，活化了兩者的雙邊關係，因而其模仿論解決了柏拉圖模仿論的困難，而且能夠說明各個類型的藝術品。這些討論清楚證明了高達美革新了這個古老傳統，建構出一個合理的當代模仿論。

關鍵字

高達美 ； 模仿 ； 藝術哲學 ； 哲學詮釋學 ； 柏拉圖

並列摘要

Mimetic theory of art has been seen as an outdated theory for a long time, but this thesis shows how Gadamer’s theory of mimesis challenges this prejudice. After demonstrating that Gadamer inherits the element of “recognition” from classical concept of mimesis, we explain how Gadamer repudiates the dominance of original over imitation that Plato insists, and thus his theory of mimesis resolves the problems resulting from Plato’s insistence and is able to explain the phenomena of various artworks. These discussions provide a clear illustration that Gadamer refreshes the old tradition, and in addition constructs a reasonable contemporary theory of mimesis.

並列關鍵字

Gadamer ； mimesis ； philosophy of art ； philosophical hermeneutics ； Plato

參考文獻

Grodin, Jean. Introduction to Philosophical Hermeneutics. New Haven: Yale University Press, 1994.

陳榮華，《高達美詮釋學：真理與方法導讀》，台北：三民書局 2011。

Hermeneutik I: Wahrheit und Methode: Grundzuege einer philosophischen Hermeneutik. Gesammelte Werke, Band 1. Tubingen: J. C. B. Mohr, 1986.

"On the Problematic Character of Aesthetic Consciousness." Translated by E. Kelley. Gadamer Faculty Philosophy Journal 9, 31-40, 1982.

The Relevance of the Beautiful and Other Essays. Edited by R. Bernasconi. Translated by N. Walker. Cambridge: Cambridge University Press, 1986.