並列摘要
This essay tries to elucidate the relationship between art and knowledge in Gadamer's hermeneutics. It is divided into two parts. Firstly I analyze the arguments offered by Gadamer in his critique of traditional aesthetics which leads him to the conclusion that art is knowledge. Secondly I argue for the necessary connection of art and knowledge and then show the characteristics of knowledge in Gadamer. In the conclusion I point out that the Gadamerian concept of thinking is artistic in nature.
參考文獻
M. Heidegger,A. Hofstadter(tr.)(1971).Poetry, Language, Thought.New York:Harper & Row.
M. Heidegger,D. Krell(tr.)(1979).Nietzsche: The Will to Power as Art.New York:Harper & Row.
H.-G. Gadamer,J. Weinsheimer,D. Marshall(tr.)(1989).Truth and Method.New York:Crossroad.
J. Weinsheimer(1985).Gadamer`s Hermeneutics: A Reading of Truth and Method.New Haven:Yale University Press.
M. Heidegger,J. Macquarrie,E. Robinson(tr.)(1964).Being and Time.New York:Harper & Row.
被引用紀錄
陳哲儒（2016）。當代荀子哲學詮釋的省察與再探索〔博士論文，淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2016.00313
黃詩涵（2015）。論高達美藝術哲學的模仿論〔碩士論文，國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2015.02533
Sung, W. K. (2004). Gadamer and Tradition: An Inquiry into the Rapport between Philosophical Hermeneutics and Rhetoric [doctoral dissertation, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2004.10044
施金農（2016）。普契尼《蝴蝶夫人》中的「音樂借用」與文化意涵〔博士論文，國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-0202201621360200
延伸閱讀
- 黃筱慧（2008）。導言：高達美詮釋學與當代發展。哲學與文化，35(2)，3-4。https://doi.org/10.7065/MRPC.200802.0003
- 史偉民（2011）。藝術的意義理論－一個詮釋學的變體。東吳哲學學報，(24)，99-130。https://doi.org/10.29732/SJPS.201108.0004
- 周君龍（2021）。傳統與理解：對高達美哲學詮釋學的重新解讀〔碩士論文，國立清華大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0016-2412202116193944
- 吳敏惠（2007）。高達美詮釋學辯證法？──＜語言作為中介及其思辨結構＞之文本詮釋〔碩士論文，中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu200700832
- 劉貴傑（2005）。On the Pedagogical Significance of Hermeneutics。區域人文社會學報，(8)，1-27。https://doi.org/10.7043/JRSHSS.200508.0001