透過您的圖書館登入
IP:18.188.127.216
  • 學位論文

《笑傲江湖》愛情敘事及愛情觀研究

Love narrates and love view research of “Swordsman”

指導教授 : 呂正惠
共同指導教授 : 蘇敏逸(Ming-Yi Su)

摘要


本研究目的希望深入《笑傲江湖》的小說內涵,剖析其創作的獨特性,探討《笑傲江湖》的價值。並以愛情為主軸,探討愛情在《笑傲江湖》所展現的愛情觀與思想內涵。研究步驟依「愛情人物個性分析」、「愛情劇情分析」、「愛情觀與思想內涵的分析」進行章節的討論。 首先,從作品概說中討論小說的主題,包括其政治霸權的鬥爭、黑暗人性的描寫,以及其中愛情故事,說明《笑傲江湖》的愛情人物,包括:令狐冲、任盈盈、岳靈珊、儀琳、林平之、東方不敗、岳不群等;其次,從愛情故事的單一組合配對分析《笑傲江湖》的愛情故事,如:笑傲一曲鴛鴦鳴──令狐冲與任盈盈; 菩薩心,人間情──令狐冲與儀琳;多情總是空餘恨──令狐冲與岳靈珊;恩怨糾葛一場空──林平之與岳靈珊;不愛江山愛美男──東方不敗。透過愛情故事的文本分析之後,將人物與事件的關係逐一剖析,並深入愛情人物愛情觀的探討,如在「權力世界中的愛情」中探討小說中權力慾望與情慾的關係;在「愛情世界裡的自由與束縛」探討小說中主角令狐冲的性格思想與愛情觀在《笑傲江湖》所要彰顯的精神;在「愛情世界裡的世俗與超凡的界線」探討小說中出家修行人的情慾;在「愛情世界裡性別的界線」中探討去勢男性的情慾與愛情。 最後綜合以上分析與探討,發現金庸在《笑傲江湖》的愛情人物與愛情故事,都有其象徵意義,可知道《笑傲江湖》用了武俠小說來表達各種價值觀,也探討人性內在根本的需求慾望。從文學創作的角度上來看,《笑傲江湖》的確是開創了武俠小說的新局,突破武俠小說的樊籬,創作出新的武俠文學內涵。回到愛情人物與愛情觀的象徵性意義,一個愛情觀的產生與人物的個性與特色有相當的關係,愛情關係是藉由兩者之間的互相關係,甚至是三者的交互關係產生,在交互的火花中,愛情觀也逐漸彰顯出來。金庸是企圖真實地反映人世的命運,表現了愛情在權力鬥爭世界的無奈與悲哀。

並列摘要


This research goal hoped thorough “Swordsman”novel connotation, analyzes its creation the distinctive quality.Discusses “Swordsman” value and take love as the main axle.Discussion love view which and the thought connotation unfolds in this novel.The research step depends on “love character individuality analysis”, “love plot analysis”, “love view and the thought connotation analysis” carries on the chapter the discussion. First, discusses the novel from the work generalization the subject, including its political hegemony struggle, dark human nature description, as well as love story.Explains the novel love character, next, from love story sole combination pair analysis novel love story.After love story text analysis, analyzes one by one character and in event’s relations, and thorough love character love view discussion.For example discusses in the novel in “Love in authority world” the authority desire and the passion relations.In “love world freedom and fetter”, discusses in the novel the lead Linghu Chong disposition thought and love view the spirit which must show in this novel. In “love world common custom and unusual demarcation line” , discusses in the novel the becoming a Buddhist person’s passion; In “love world the sex demarcation line”, the discussion castrates the masculine passion and love. Finally the synthesis above analysis and the discussion, discovered novel love character and the love story, have its symbolic significance, may know that this novel used the chivalric fiction novel to express each kind of values, also discussed the human nature intrinsic basic demand desire. Looked from literary production’s angle that“Swordsman” indeed founded the chivalric fiction novel new bureau, broke through the chivalric fiction novel the fence, the creation new thingses knight-errant literature connotation. Returns to love character and the love view symbolic significance, a love view’s production has the suitable relations with character’s individuality and the characteristic, love relations are because of both’s between mutual relations, even is three interactive relational productions, in the interactive spark, love view also gradually shows. The novel author is the attempt reflected really the world the destiny, has displayed love in the conflict of authority world helpless and sorrowful.

並列關鍵字

Jin Yong Swordsman Kung-Fu novel love research love view

參考文獻


羅賢淑:〈再探金庸小說初版之情節修訂〉,臺北《中國文化大學中文學報》第10期,2005年4月,頁135–154。
安東尼•史蒂文斯(Anthony Stevens)著,薛絢譯:《夢:私我的神話》(Private Myths : Dreams and Dreaming)。台北:立緒文化,2000年。
張依寰:《金庸小說「射鵰三部曲」研究》,中興大學中國文學系所碩士論文,2004年。
陳韻琦:《金庸武俠小說《神雕俠侶》研究—遠流版舊版與新修版的解析》,靜宜大學中國文學研究所碩士論文,2004年。
羅賢淑:《金庸武俠小說研究》,中國文化大學中國文學研究所博士論文,1998年。

被引用紀錄


陳寀玲(2014)。金庸武俠小說的悲劇人物研究〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2014.00939

延伸閱讀