龍瑛宗接受史與台灣文學研究問題

The Reception History of Long YingZong and Taiwan Literature Research

黃琪椿(Chi-Chun Huang)

指導教授 ： 呂正惠

淡江大學/文學院/中國文學系博士班/博士(2017年)

https://doi.org/10.6846/TKU.2017.00437

摘要

戰爭結束後不久的1945年11月龍瑛宗在《新新》雜誌創刊號上發表〈文學〉一文，指出台灣是殖民地，只有披上假面具的偽文學，必須暫時否定自己，重新出發走正確的路。這一段話是把龍瑛宗自己也包含在內的全部否定，何以如此？本文認為龍瑛宗是帶著殖民地經驗的總結進入新的歷史階段，因此龍瑛宗如何總結他的殖民地經驗，提出甚麼樣問題，成為本文探討的重點。
　　論文分成上下兩篇，上篇檢討上從日據時期下至當代的龍瑛宗接受史，以釐清龍瑛宗被接受的過程中突顯的台灣新文學研究問題，將接受史、學術生產與台灣社會變遷連結思考。第一章「詩情與散文精神：同時代人的接受（1937-1945）分析龍瑛宗作為文壇「新人」被接受的意義，以及龍瑛宗與戰爭時期美學要求的間距與苦惱。第二章「『脈絡的共同』與民族主義的效用邊界（1945-1949）」指出二二八前後關於日據時期台灣新文學的敘述與評價中，細緻具甄別性的去殖民工程思考逐漸讓位給民族主義論述。本省與外省文化人間出現溝口雄三所說的「場」的錯位，導致建立「脈絡共同性」的可能性失落。第三章「現代化過程中的小知識份子（1965-1983)」龍瑛宗以「蒼白知識分子」的形象出現於重視「社會性」的鄉土文學思潮中，反映了〈植有木瓜樹的小鎮〉獲得了同樣渴望往上爬、與社會疏離、同樣受挫的戰後現代化過程中下層知識分子的共鳴。第四章「新自由主義光影下的龍瑛宗（1984-2016）」指出八O年代以後龍瑛宗以肯定殖民現代性、有著「雙鄉」認同矛盾與「現代性焦慮」，深具理想性格致力台灣文化向上，追求多元文化與族群融合的新形象出現，反映了「重構台灣」過程中新自由主義在文化層面的影響。
　　下篇則聚焦於龍瑛宗日據時期的創作，第五章「台灣殖民現代性主體的生成與破滅」重新解讀〈植有木瓜樹的小鎮〉，指出龍瑛宗充分意識在殖民社會中，個人主體誕生之時也是幻滅的開始，並因此陷入深刻的絕望之中。正是承認黑暗的存在，才產生了得以克服的空間。這是＜植有木瓜樹的小鎮＞的思想意義，也是龍瑛宗文學創作的原點。第六章「與魯迅相遇：尋找免於頹廢瘋狂的道路」指出龍瑛宗通過魯迅複調小說的藝術形式，深刻地剖析自我的靈魂，既揭露頹廢如何使人喪失了活氣，又直刺安於現實生活的虛榮與枯竭，在頹廢與妥協間反覆擺盪詰問，才出現了新的主體精神得以產生的可能。第七章「戰時下的等待」則分析杜南遠系列作品的意義。

關鍵字

台灣文學 ； 日據時期 ； 接受史

並列摘要

This paper argues that Long Yingzong has entered into a new historical stage with a summary of colonial experience.So how did Long Yingzong summarize his colonial experience and put forward what kind of problems ，become the focus of this paper. The paper is divided into two parts.

The first part discusses the reception history of Long Yingzong from the Japanese occupation period to the present. Clarify the problems of Taiwan literature research in the process of accepting Long Yingzon. Comprehensive thoughts on accepting history, knowledge production and changes of Taiwan social. The second part use the way of close reading to analyze the novels of Long Yingzong during the Japanese occupation. Pointed out that Long Yingzong awareness in colonial society, the birth of individual subjects is also the beginning of disillusionment.

The first chapter” The Acceptance of the Contemporary (1937-1945)” is Analysis of the Acceptance of Long Yingzong as the "New Person" of the Literary World. Chapter 2, "" common thread "and nationalism utility boundary (1945-1949)," pointed out around 228 incident on narrative and evaluation of Taiwan literature During the Japanese Occupation, the careful screening of a colonial project to gradually let Thoughts Position to nationalism. The dislocation of the "field" in the province and the culture of the other provinces has led to the possibility of establishing a "commonality". The third chapter, "the process of modernization of intellectuals (1965-1983)" Long Yingzong to image "pale intellectuals" appeared in the importance of "social" Local literary trends, reflecting the < A small town planted with papaya tree> got the same look thirsty climb, and social alienation postwar modernization process also frustrated the underlying intellectual resonance. Chapter IV "Under neoliberal shadow (1984-2016)," pointed out after mid-term of 1980’s Long Yingzong were in recognition of colonial modernity, with " dual Home Countries " identity conflicts with "modern anxiety" over deep Taiwan is committed to cultural character up, the pursuit of a new image of multiculturalism and ethnic integration appeared, reflecting the "Reconstruction of Taiwan" influence the process of neo-liberalism in the cultural level.

The fifth chapter of "Taiwan Colonial Modernity body formation and burst" Reinterpretation < A small town planted with papaya tree> Long Yingzong noted were fully conscious during the colonial society , the beginning of the birth of the individual subject is disillusioned, and thus fall into deep despair. He acknowledged the existence of the dark, only to be overcome to produce a space. This is the " A small town planted with papaya tree" of the ideological significance, but also the origin of Long Yingzong literary creation. Chapter VI, " Lu Xun : Looking from decadent crazy road" were noted by Long Yingzong Lu Xun Polyphonic novel form, profound analysis of the self-soul, both expose the decadence of how people lost their vigor, and piercing safety in real life vanity and exhaustion, decadence and compromise between the swinging repeatedly questioning, it appeared possible to produce a new body of spirit.

並列關鍵字

Taiwan literature ； During the Japanese Occupation ； Reception History

參考文獻

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