谷崎文學裡所蘊含之美學及其身體之意義─以《刺青》《痴人的愛》《春琴抄》為例─

本論文的目的為探討谷崎潤一郎文學裡的所蘊含之美學及其身體之意義，研究對象為《刺青》《痴人的愛》《春琴抄》這三部作品來進行考察。首先，在要導入身體論來探討谷崎潤一郎的《刺青》《痴人的愛》《春琴抄》這三部作品之前，必須要先介紹身體論的由來以及內容。因此在第一章當中，根據湯淺泰雄的分析，分別介紹了日本的身體論以及西洋的身體論。並比較其身體論所注重的論點。其次，在第二章的內容當中，將「女性崇拜」的特徵分成(一)受虐傾向、(二)腳的特徵、(三)白色的意義，這三個要素來探討。最重要的是(三)白色的意義這個要素。在經過了《刺青》《痴人的愛》《春琴抄》這三部作品的變化，可以發現《春琴抄》是最凸顯白色的作品。在凸顯白色的這個要素的過程中，伴隨發現的是陰翳之美。而為了證明谷崎潤一郎是否在《春琴抄》裡發現了陰翳之美，因此引用在《春琴抄》之後所創作的《陰翳禮讚》，來考察谷崎潤一郎是否在《春琴抄》中發現了陰翳之美。在第三章所引用的市川浩的「身為錯綜體之身體」之理論來探討《刺青》《痴人的愛》《春琴抄》當中，可以發現《刺青》《痴人的愛》《春琴抄》裡登場之男性擁有男性中心主義之思想;而女性是表現出跟反對男性中心主義之女性解放運動的觀點有相同之處。透過身體論的觀點來探討《刺青》《痴人的愛》《春琴抄》這三部作品當中，男性中心主義及女性解放主義之概念是互相並存在《刺青》《痴人的愛》《春琴抄》這三部作品當中。

關鍵字

谷崎潤一郎；身體論；陰翳美；男性中心主義；女性主義

並列摘要

The purpose of this paper is to explore the themes, Aesthetics and the Body Theory, which has been embodied in the literatures of Jun’ichiro Tanizaki. These themes will be discussed in particular to Tanizaki’s three literature, “Shisei”, “Chijin no Ai” and “Syunkinsyou”. Firstly, the origin and the significance of the Body Theory will be discussed before applying them to the literature, “Shisei”, “Chijin no Ai” and “Syunkinsyou”. Hence, in the first chapter, the Body Theory of Japan and that of the Western will be introduced and contrasted in accordance with Yasuo Yuasa’s analysis. Secondly, the characteristic of “Woman’s Adoration” will be discussed and explore in three different themes, Masochism, Fetishism, and The Significance of Fairness. Of which, The Significance of Fairness is the most important theme. After going through the turns of events in “Shisei”, “Chijin no Ai” and “Syunkinsyou”, it can be observed that The Significance of Fairness is most prominent in “Syunkinsyou”. During the process of emphasizing The Significance of Fairness in “Syunkinsyou”, the Beauty of Shadows is found to be related and accompany this theme closely. In order to find out if Jun'ichirō Tanizaki discover the Beauty of Shadows in “Syunkinsyou”, his later works “In Praise of Shadows”is referred to and explored. Lastly, when adapting Hiroshi Ichikawa’s theory of “’Body as Intricate Body’’ to explore “Shisei”, “Chijin no Ai” and “Syunkinsyou” in the third chapter, it is discovered that Androcentrism and Feminism are embodied in the characters of the literatures. From the discussion of the Body Theory in exploring the themes in “Shisei”, “Chijin no Ai” and “Syunkinsyou”, it can be observed that Androcentrism and Feminism exist in these three literatures simultaneously.