- 學位論文
數位時代下台灣音樂人之創作行為研究
A Study on Creative Behavior of Taiwan Musician in the Digital Era
摘要
本文試圖從類比化到數位化的音樂創作一般型式的歷史脈絡中，透過創作者的自述以及研究分析進行數位時代台灣音樂人的創作行為研究。在研究結果中，我們看到了此兩時代發生在創作者身上不同的看法以及創作行為表現中可能存在的變化以及相關議題的回應。其中，針對創作一般型式的結構內外部力量與改變，創作者針對了小眾文化以及獨立音樂崛起提出不同於本文現象觀察的論述面向，並以商業化的運作做為造成此一現象的推論。此外，針對資訊通訊科技的進所造成數位時代下資訊快速流通的現象，亦認為是造成此一時代現象的另一推動原因，加諸提醒我們的是，分眾聆聽與創作的結果可能會造成所謂「創作典範」的消失。此外，在關於創作者與作品的時代變化上，本文亦以數位科技所強化的拼貼現象以及創作者在數位時代下尋找在音樂創作中主體價值之路進行分析，其中，多數的音樂人皆認為無論科技的演進如何快速，音樂作品的內涵與價值始終來自於創作人本身，更以此信念做為推動新作品呈現的力量。然而，最後在創作者與閱聽人在數位時代的關係分析上，我們仍看到了數位音樂與網路平台的結合後，不同於類比音樂的變化，這個全新的互動場域，確實的加強了有別於傳統音樂工業時期中兩者的關係，更開啟了音樂商品的另一行銷管道。而其與真實表演場域之間互補，對於獨立音樂人來說，更是一個創作之路上新力量的來源。
並列摘要
In this thesis, we are trying to analyze the acts of music creators by studying both the history of music production process of general normal form from analogization to digitization, and the acts of music creators in the era of digitization in Taiwan by their own accounts. After studying, we could find the creators of two eras that they have not only the different opinions but also changes and responses of related issues during process of creation. In the research, the music creators put forward the opposite theory according to the rise of marginal culture and independent music, and they concluded that, from the changes of process during creation, commercialized operation made this phenomenon. Another reason caused this phenomenon, it’s develop of information and communication technologies which bring about the information spreading quickly in the digitization era. Segment the audience and the result of creation might cause the disappearance of “Creation Pattern”. With regard to the changes of creators and creation in different eras, we are analyzing in this thesis, the phenomenon of collage which digital technology emphasizes, and also the value of principal part which the creators are looking for while composing music in the digital era. Most of the musicians believe that no matter how fast the technology progresses, the connotation and value of music come from the creators themselves all along. They have this belief as the strength to create new works. However, after researching the relation between creators and music listeners in the digital era, we could see the changes which are different from analogue music after the digital music combines with the internet. The whole new interactive field does stress the distinction the relation between the specialization and monopolization of music industry. In addition, it opens another channel for sales of musical merchandise. Without doubt, the complement between virtual and real performances, it’s a source of new power of creation for independent musicians.