建立推廣台灣版畫藝術之中介機構

長期以來，台灣藝文活動的經費來源以政府支出為主，民間的藝文消費卻成長緩慢，產業化不僅可減輕公部門的支出，更有助於藝文消費人口的增加。而在視覺藝術的眾多類型當中，亦因其材質或觀念形式的相異，適合不同的發展面向，其中，版畫在由印刷功能至創作功能為主的發展過程中，不但兼具了藝術的原創性，也以複數性的特點具備了市場性，創作版畫、合作版畫與複製版畫各擁有不同的功能與觀眾群，版畫工作室亦擴充了傳統上單一的印製活動，而在視覺藝術產業中兼具了創作、教育與商業流通的面向。台灣經過二十餘年來的現代版畫推展，雖大專院校相關美術科系大都有版畫課程的開設，版畫與素描雙年展也成功的促進創作風氣與國際交流，但仍有很大的成長空間；另一方面，隨著目前文化產業政策的推行，版畫易於與各種產業結合的特性也將成為在我國發展的利基。日本依浮世繪的歷史背景與政府和民間的大力倡導，而成為世界聞名的「版畫王國」，本文試圖以其美術館、版畫工作室與畫廊等中介機構的運作模式為例，分析台灣目前現況與面臨問題，建議未來推廣機構的建立與發展方向，期待版畫的推廣能具體促進藝文生態的發展與原作收藏的風氣。

關鍵字

版畫；工作室；創作版畫；合作版畫；複製版畫

並列摘要

Since most art activities in Taiwan are supported by public funds, private patronage of art and culture appears to be altogether neglected in comparison. Indeed a more mobilized market in art and culture not only yields such benefits as fewer government expenses in subsidies but also helps to educate and engage a culturally more aware public. Among the diverse formats in visual art that may be applied for recreational purposes, printmaking stands out in successfully bridging over functionality and creativity: its apparent virtue of plurality adapts to the needs of individual and group expressions with equal accessibility and flair. Printmaking studios thus occupy the special position of reaching beyond its traditional role of factories for making prints, to become a center of visual education, circulation and distribution. While a retrospect of printmaking as a modern art form in Taiwan shows such achievements as its popularity in art school curricula and a presence of its printmaking artists in international exhibitions (the biennales, etc.), there is obviously room for future growth: particularly in the age of cultural industries, printmaking may prove to be a most profitable solution for various manufacturing industries. In this regard, one may do well to consider the example of Japan, which has become a virtual leader in the art of printmaking thanks to coordinated efforts from both public and private parties to extend the influence of its traditional ukiyo-e in all directions. In my thesis I have done this by citing a pattern of cooperation among the country’s museums, printmaking workshops and galleries, and by making suggestions as to how this may be adapted for Taiwan to promote its own culture of artistic printmaking.

並列關鍵字

Printmaking ； Workshop ； Original Prints ； Collaborative Prints ； Reproductive Prints

參考文獻

滕人傑。〈國內文化創意產業生態初探〉。《臺灣經濟研究月刊》（第27卷第6期）：90-100。

〈關於視覺藝術教育：日本〉。在彰化師範大學藝術教育研究所， [2007-03-30]。

陳瑛如。〈論改造高雄視覺藝術環境：鹽埕藝術專區之規劃提案〉。桃園：元智大學藝術管理研究所碩士論文，2004。

Barasch, Moshe. Theories of Art: From Plato to Winckelmann. New York: Routledge, 2000.

Hooper-Greenhill, Eilean. Museum and Gallery Education. Leicester: Leicester University Press, 1994.

國際替代計量

建立推廣台灣版畫藝術之中介機構

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