物 象 造 境—城 市 掠 影

藝術是人類生存經驗的精華，藝術創作則是自我思想的表達。「物象造境—城市掠影」系列作品是以「自我」為出發點，將生活的思緒轉換及創作思維再現於作品之中，並且透過版畫的實驗與實踐，而能深入探討提昇自我的創作境界。「物象造境—城市掠影」系列作品有下列三點創作目的：一、透過「物象造境」理念創作，反覆自我審思對城市物象的思緒轉換與作品的對照，將自我心靈加持到一個高度平衡境界，觀照景物與作品使之達到圓融成熟的程度。二、在創作中追尋文化的本源，將屬個人的文化本體經驗注入作品之中。三、透過對併用版、數位版畫創作的實驗與實踐，盡力掌握其版材的特性與運用，為進一步進程，尋找新的契機與方向。本篇論述全文分為六個部分：第一章緒論：主要撰述創作經驗、創作動機、創作目的以及創作研究方法。第二章創作理論基礎：主要以中西美術史、美術心理學、美學等理論基礎來檢視、解析「物象造境—城市掠影」系列作品。第三章創作理念：主要闡述「物象造境—城市掠影」的創作理念以及版畫的表現。第四章創作實踐：以創作內容與形式、創作方法與技巧，來分析說明「物象造境—城市掠影」系列作品表現為何，以及如何完成。第五章作品說明：說明「物象造境—城市掠影」系列每件作品的形式、內涵與技法。第六章結論：說明創作發現與未來可能發展的創作終極目標。關鍵詞：「物象造境—城市掠影」、版畫、併用版、數位

關鍵字

「物象造境—城市掠影」；版畫；併用版；數位

並列摘要

Art is the essence of man’s existential experience while artistic creation is an expression of the self-ego and creative work. The “World Image Expression – City Impression” series of works, starting from the ego, presents the transformations of thought in daily life and creative thinking into art pieces. Through experimentation and practice of printmaking, this series of work aims to go deeper in probing into how the ego’s creative level can be enhanced. This series of works has three creative aims, as follows: 1. Through the concept of “World Image Impression,” it repeats cycles of self-assessing thought on the conceptual transformation of urban images and the contrasting of art pieces, thus lifting the ego spirit up to a highly balanced level, from which scenes, objects and art pieces are viewed, such that they attain a rounded, mature degree. 2. To search for the ultimate origin of culture through art creation, and then infusing the nature and experience of culture, both belonging to the ego, into the works of art. 3. Through experimentation and practice of combined technique and digital printmaking methods, to have full grasp of the qualities and applications of print materials in order to go deeper into artistic creation, finding in the process new opportunities and directions. This thesis is divided into six parts, as follows: Chapter 1, the Introduction, mainly explains the author’s creative experience, motivations, goals and research methods used. Chapter 2, entitled “Theoretical Foundations of Creation,” examines and analyzes the “World Image Expression – City Impression” series of works from the vantage points of Chinese and Western art history, the psychology of art and aesthetics. Chapter 3, entitled ”Creative Idea,” mainly explains the creative ideas that inspired the “World Image Expression – City Impression” series of works and the printmaking expressions used. Chapter 4, entitled “Creative Practice,” analyzes the series’ adopted modes of expression and how they were completed, by touching on creative content and form, as well as creative methods and techniques. Chapter 5, entitled “Explanation of the Works,” discusses the form, content and techniques used in each piece of the “World Image Expression – City Impression” series of works. Chapter 6, the concluding part, focuses on the discoveries made during the creation process and touches on the possible ultimate goals of the author’s creative work in the future. Key words: “World Image Expression – City Impression,” print, combined technique, digital printmaking