符號與裝飾的詩性空間

本文是以個人的創作為中心，所建構而成的創作自述，是個人對學習繪畫過程中，創作的心得整理，是藉由作品來觀看自己的心理狀態以及與社會有何種連結，藉此幫助自己進行自我的整合，更清楚的瞭解自己，以做為自我與作品之間的檢視，希望能藉由對文字的思考，對作品與創作的歷程進行分析與歸納，能較清晰的釐清作品所要表達的意涵，以便更清楚的面對自我與創作。用｢符號與裝飾的詩性空間｣為創作的命題方向與研究，以下對本創作論述的扼要說明：第一章緒論，在研究動機與目的、研究方法，說明刺激自己創作的動機，在創作時的內心狀態，創作手法與內容的關係。第二章探討個人作品的發展脈絡、創作軌跡，以藝術史的發展和美學的論證做為歸納，在抽象繪畫與裝飾性的關係、自身經驗與符號的建立，分析相關的資料。正視身體為自身情慾載體的事實；身體的任何一部分都可以陽具化，成為可以滿足男性性慾的符號。第三章對個人作品裡，薄塗的色彩、裝飾性質、壓縮的空間和遊戲性，做繪畫的探究，提出對自己創作有影響的藝術家做比較與說明。第四章創作發展的可能性，就自己的創作現況、創作延伸方向的關係，做釐清與省思，藉由作品的呈現，尋求共同啟蒙的意圖。

關鍵字

符號；裝飾；詩性空間

並列摘要

This essay, an honest record of my learning process in the world of art, is also the manifesto on my understanding on art and design. Through this essay, I recognize, explore and discover the infinite connections between art works, humanity and society. It helps me understand myself more by re-examining the works I have done before. I hope my words can achieve the best possible interpretation of my works and me as an artist. A poetic space with signs and decoration, the essay will touch upon the following four chapters: Chapter I: Prelude on the creative motif, creative objective, creative means, and the connection between creative mentality, creative techniques and its contents. ChapterⅡ: Tracing the forming of personal style and the understanding on art history and aesthetic; the connection between abstract drawing, signs and decoration; analysis of relevant acquired material; the fact that physical being is the embodiment of sensuality; the metaphysical meaning of body parts. Chapter Ⅲ The interpretation on different aspects of personal works, including the colors employed in wash during painting, decoration, compressed space and the gaming mentality, and drawing itself; the comparison between these works with works of admired artists. Chapter Ⅳ The infinite potentiality of creativity; Reframe and reflect on my current art works and its future direction.