中文摘要 此論文為我個人水墨藝術創作生命中的心得與感受,以生活中的體會與觀察為出發點,傳達這份感受。我以「立處皆真」作為我這一階段的創作的命題,將自己身旁接觸體驗的對象物,藉著他們的形體來轉化進而體現,這樣的過程讓我感到實在,也是對自己的生命歷程作一段紀錄。創作必定來自於我對生活感受的觀照,我認為這也是一種直覺感悟的方法,不是以目觀其物,而是以心照其境。 論述內容簡要說明如下: 第一部分:包含緒論,我的創作態度、創作動機與研究範圍。主要是在說明我為何有如此的創作方向與闡述動機的出發點,畫面上物象的關連性與意涵。 第二部份:包含第二章自我分析為主軸。這一章節是在談論我的想法與論點,主要集中在自我的追尋,觀察事物的角度和對象與我的關係,從對待觀看的角度的不同,進而談論到對我的影響而成為我畫面中的符號。 第三部分:包含第三章創作內容與形式。此一部份依據形式來說明畫面中的章法、用筆與色彩感受。 第四部份:包含第四章與第五章。以前述之論述與觀點利用作品來做進一步地說明創作過程中的脈络,包括起初的創作動機,表現意圖,和畫面中的造形思維及空間佈局,作為自我檢視驗證的總結。
Summary This research is the feeling and impression in my ink-painting creations, It starts from experiencing and observing life. Named with “It would be true everywhere ”I take the object around me to invert the impression.I feel fullness through the journey and also chronicle my life.The creation is from the feeling of my life and I think that is a way to feel my boundary. Following is the simple introduction of the research. Chapter1: Includes the motivation, category and methods of the research .It basically explains the cause and content. Chapter 2:This chapter is commenting my concept,it focus on looking for myself and object in the works. All aspects of the case are difference and toward that how it becomes a character. Chapter 3:The contents and form of my works that comprised this chapter.At this partage is based the color and brush. Chapter 4:It contains the passage of my works,including the motive power, meditator and figuration.It is the summarization that overlook the process of my creations.