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  • 學位論文

《像我這樣的查某人》創作報告──談不安全感如何成為兩面刃(韌)

The work about Women in the rain: How Insecurity Becomes a Double Edged Sword

指導教授 : 林如萍

摘要


《像我這樣的查某人》創作報告 ──談不安全感如何成為兩面刃 論文摘要   《像我這樣的查某人》是從筆者第一齣關於母女衝突的小丑演出《第三個願望》就開始醞釀。接著《第三個願望》之後,往下進一步談論關於「暴力」在筆者生命經驗中被轉型放置在各種關係裡,而完成《等•燈》這個獨腳戲。在《等•燈》之後,由於筆者從小生活於鐵路街附近,受到那些鐵路街邊的性工作者各種姿態召喚,便發展了一齣以Buffon形式去談論鐵路街的一名性工作者的渴望與可悲的故事──《國運「娼」隆》,種種歷程累積起來,慢慢才走向由編劇詹傑,導演高俊耀加入共同處創作的《像我這樣的查某人》。   本論文一方面整理出《像我這樣的查某人》的創作源起的探索;另一方面欲透過整理《像我這樣的查某人》發展歷程,呈現演員經歷了與編劇導演溝通、磨合,發現自己性格上的自信心不足所造成的防衛機制,間接影響了與導演合作關係上所形成的不對等結構,使得排練期間充滿緊繃的張力。最終,戲會排完,演員會粉墨登場成為角色,然而落幕後,筆者才重新理解自己是怎麼樣的查某人。 關鍵詞:孤獨、關係、獨角戲、生命故事、原創劇作

關鍵字

孤獨 關係 獨角戲 生命故事 原創劇作

並列摘要


The work about Women in the rain: How Insecurity Becomes a Double Edged Sword Abstract Women in the Rainhad been brewed since my first clown’s play about the conflict between mother and daughter: The Third Wish. After The Third Wish, my solo Waiting went a step further to discuss how “violence” in my life experience was transformed and seen in different relationships. After the production of Waiting, my experience of growing up near the Railway Street (the red-light district in Keelung) led me to be attracted by the gestures of the prostitutes and therefore brought about the creation of The Forgotten Prostitute: a buffoon performance that tells a story about the desire and sorrow of a prostitute working in the Railway Street. Finally, with the accumulation of these experiences and theparticipation of playwright and director, Women in the Rain was created. This paper explores theorigin of the creation of Women in the Rain, and by arranging thedevelopment of the play, this paper presents how a performer, by working and communicating with her director and playwright, discovered her own defense mechanismdue to lack of confidence, how it led to an unequal relationshipbetween herself and her director, and the tension during rehearsal period. Eventually the rehearsal period ended, the performer became the character on stage, and after the end of the play did I get to realize what kind of woman I am. Key words: solitude, relationship, solo performance, life experience, original script

參考文獻


杜思慧。2008。《單人表演》。臺北:黑眼睛文化。
何季芳。《孤獨的情感表現—何季芳創作論述》。2008。嘉義。國立嘉義大學視覺藝術研究所碩士論文。
杜思慧。2016 年 3 月。〈關於獨角戲,演員又愛卻又無法免疫的劇場病毒〉。《PAR表演藝術》,第 279 期:73-74。
耿一偉。2016 年 3 月。〈在有限的舞台上,開展無限的旅程──羅伯•勒帕吉的獨角戲創作〉。《PAR表演藝術》,第 279 期:76-78。
耿一偉。2016 年 3 月。〈我選擇了劇場,因為劇場充滿了魔幻──專訪羅伯•勒帕吉〉。《PAR表演藝術》,第 279 期:81-83。

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