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  • 學位論文

無事生活、無適生活和無視生活

Live in the Lazy , Dizzy and Hazy Life .

指導教授 : 陶亞倫

摘要


我創作的動機很大部份是關於我面對我的自我期待、與他人關係、和對生活的失落感之下的行動。 前半部說明自己的平常生活狀況,以及我在社會中的定位和我所面對的問題。從沒有明確目標的無所事事生活狀態,再到我所不適應的生活環境,透過對於藝術和創作的認識,而能去清楚自己所無視,或是無能透視的生活。 後半部描述我的作品所傳達的信息,以及說明我對於創作的想法。透過表現真實內部感受的世界而得以反應外部世界,再得以趨近內心未發現的「真實」。也映證了我的生活以及對於生存的思考,在這過程中能單純的面對自己。藝術離不開生活,追求藝術是一種能更接近「真實」的方法,也是讓我去釐清所謂的“無事、無適、無視生活”。

並列摘要


The motivation for my work in large part has to do with me facing my expectations of myself, my relationship with others and actions taken with the sense of loss towards life. The first half explains the state of my daily life, my position in society and the problems I face. From an idle state without a defined goal in an environment which I'm unaccustomed to, I began to become acquainted with art and creativity and understand my own life of ignorance and incompetence in gaining a perspective. The latter half describes the information my work transmits and illustrates my ideas about creativity through an expression of a world where the inner truth is felt in order to respond to the external world while approaching the undiscovered “truth”of the heart. The work reflects my life, my reflection on existence and through this process I confront myself purely. Art is inseparable from life, the pursuit of art is a means to get closer to the “truth”and also allows me to clarify the meaning of a life with disregard, unsuitability and nothingness.

參考文獻


5.米蘭.昆德拉(Milan Kundera)《生命中不能承受之輕》(The unbearable lightness of being),尉遲秀譯,台北:皇冠,2004。
一、書籍
1.謝德慶(Tehching Hsieh),亞德里安.希斯菲爾德(Adrian Heathfield),《現在之外:謝德慶生命作品》(OUT OF NOW: THE LIFEWORKS OF TEHCHING HSIEH), 龔卓軍譯 ,台北:典藏藝術家庭,2011 。
2.麥可.齊莫曼(Michael Kimmelman),《意外的傑作:一位走出美術館的藝評家,十個在生活中發現藝術的故事》(The Accidental Masterpiece:On the Art of Life and Vice Versa),何佩樺譯 ,台北:臉譜,2008。
3.卡特琳.古特(Catherine Grout),《重返風景-當代藝術的地景再現》(Representations et experience du paysage ),黃金菊譯 ,台北:遠流 ,2009。

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