台灣古典音樂著作權仲介團體之研究

A Study on the Copyright Intermediary Organizations for Classical Music in Taiwan

李立菁(Li-Ching Lee)

指導教授 ： 林信和

國立臺北藝術大學/文化資源學院/藝術行政與管理研究所碩士班/碩士(2005年)

摘要

"對於著作人而言，能夠自己行使著作之相關權利，不僅能做出最經濟的決策，亦
能充分享受著作之成果。然而，隨著科技進步，大眾傳播事業急遽發達，不但著作利
用之方法多歧，利用人之範圍亦擴大，事實上難期著作人有效掌控著作之利用狀態，
所以著作人將其權利委由著作權專業管理團體集體行使，於目前資訊快速流通的時
代，實有其必要性。本文擬蒐集並整理比較國內外流行音樂與古典音樂類著作權仲介
團體經營模式與特色，檢視目前國內流行音樂著作權仲介團體之制度及運作之優缺
點，且相對思考古典音樂著作權仲介團體存在於台灣之意義與必要性，進而尋求建立
一個完整且實用之著作權經營管理架構，以提供現行公司與團體未來改進之方向與參
考。"

關鍵字

著作權仲介團體 ； 流行音樂 ； 古典音樂

並列摘要

By using the related rights talked about in this thesis will not only allowed people to
make the most economical decisions，but also to enjoy the profits that they would reap．
But, as technology continues to develop, along with the exponential growth of the business
in public broadcasting; and as the many applicable areas of the thesis continue to expand,
the author cannot foresee the unpredictable turns the use of the ideas this thesis proposes
may take．Therefore, it is necessary to give a copyright company the rights to apply the
concepts of this thesis in its business operations due to the quick pace of present day's
information highway. By using the current situation involving the issues of popular
music copyright transaction brokerage institution in Taiwan as a framework, this thesis
collects and organizes the features of copyright transaction brokerage institution of
classical and foreign music, and analyzes their effectiveness and inefficiencies．
Furthermore, it will discuss whether it is meaningful and necessary to have classical music
copyright agencies in Taiwan in order to move towards a more complete and practical
system，so that present companies and organizations can take the ideas into their future
goals and considerations．

並列關鍵字

Copyright Intermediary Organizations ； popular music ； classical music

參考文獻

經濟部智慧財產局（民90），《著作權法暨相關子法》，台北。

陳家駿（民90），《整體著作權法制之檢討》，經濟部智慧財產局委託研究。

經濟部智慧財產局委託研究。

經濟部智慧財產局，《仲團條例總說明》，檢索日期94.02.13，取自

葉文博（民83），多媒體素材授權問題之解決一建立完善的著作權集體管理制度，《資