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  • 學位論文

《噪動2》– 徵候與媒體社會

《Disturbance 2》– Symptom and Media Society

指導教授 : 袁廣鳴

摘要


脫離繪畫之後的創作原點從2006開始,突變的遺傳基因從身體系統的另類運作 與興衰影響到主體與存在的關係,一方面反對科技與媒體造成現今社會動蕩與壟斷 等負面影響,另一方面身體卻又必須仰賴人工科技的救贖以維持生命,這種對於科 技的矛盾持續存在著。每年例行的身體檢查強迫將身邊的事物放下,沉靜地謹慎地 透過各種龐大複雜的儀器放大檢視身體任何微小的腐爛崩壞、檢視過去一年生活的 破壞與透過人工的方式看似復原運作的生理系統。此對於身體特殊運作的觀察與認 知常常和日常生活中所處的社會現象有某種極度相似之處,使我不禁揣摩社會的結 構某種程度上是來自對身體系統的摹仿。而疾病的結構某程度可以用來隱喻現今病 態的社會。創作即是這樣隱喻的載體,而作品成為身體與外部世界產生關連的界面。 互動影像動力裝置作品《噪動2》從過敏產生的排斥反應出發,試著描述一種 騷亂的現象,討論現今網路與媒體充斥的社會,產生的互動式媒體亂象。行動網路 讓人無時無刻維持群體的狀況,當事件在社會發生,很少人真正瞭解始末的狀況下, 即時的、片面的意念透過網路傳染,形成詭異的氛圍。即網路使社會轉為易過敏體 質。疾病的隱喻將徵候的內容連結至社會的現象。 本論文希望透過文字思考的方式有架構地整理並闡述從迅速敗壞肉身的第一 人稱觀點,冷靜地觀察體認,藉用疾病隱喻這個同是第一人稱下的外部風景,試圖 連結經由皮膚分隔的身體內部與外部系統。

並列摘要


Since departure of the originality of my creation of paintings in 2006, through the alternative circulation and rise and decline of body system, the genetic mutation influences the relationship between subjectivity and its existence. On one hand, the objection of technology and media results in the negative effect of turbulence and monopolization in this modern society; on the other, the body has to count on the salvation of artificial technology in order to sustain it. In this regard, the contradiction of technology has been in existence. A yearly routine of physical examination forces me to put daily trivia aside, to serenely and cautiously inspect if any minor decay of body is damaged by all kinds of enormous and complicated medical devices; in the meanwhile, to view the destruction from life and the physical system seemingly working properly by the artificial assistance for the past one year. This observation and perception of this specific body operation is often considered as the similarity of social phenomena of where we live in our daily life. In certain level, it influences me to interpret the social structure from imitating the body system. In this sense, the structure of diseases could be a metaphor of the morbid society today. The creation of works is regarded as a medium of the metaphor, and the piece of work becomes the interface of the connection between the body and the external world. The interactive video/sound/kinetic installation Disturbance is inspired from the repulsive reaction generated from allergy. It tries to express the appearance of disturbance which triggers a further discussion of the interactive media disorder in the society immersed by the internet and media. The mobile Internet keeps us being in a condition of crowds at every single moment. When incidents occur, there are only few people who realize the whole context, whereas most of them are deceived by the real-time and superficial consciousness spread via Internet that forms peculiar atmosphere. Therefore, the Internet turns the society into an allergic condition. The metaphor of disease connects the subject matter of symptom to social phenomena. This thesis is expected to structurally collate and elaborate the subjective point of view toward rapid decayed physical system with the methodology of text thinking. By the interpretation of disease, it metaphors the external views as the subjectivity, trying to connect the internal and external of body system which separated by skin.

參考文獻


傅柯( Michel Foucault)《 規訓與懲罰:監獄的誕生》( Discipline and Punish..The
蘇珊•桑塔格(Susan Sontag),刁筱華 譯 《疾病的隱喻》(Illness as Metaphor and
AIDS and Its Metaphors) ,( 台北:大田出版 ,2000)
, Since 1927 Copyright : 2012
the Observer: On the Vision and Modernity in the Nineteenth Century), 蔡佩 君 譯,台北

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