物我映照的圖像構築：談書寫性繪畫歷程

A Construction of the Reflection of Objects and Myself --- A Discussion of the Process of Narrative Paintings

潘勁瑞(Chin-Jui Pan)

指導教授 ： 陳世明

國立臺北藝術大學/美術學院/美術創作碩士班/碩士(2005年)

摘要

本創作論述為個人學習繪畫過程中創作心得的整理，針對作品與自我之問的
關係，反映出個人的創作觀點。
以「繪畫的意識空問」為創作命題，乃是根據繪畫與文化之間、心理與創作
之間的關係，進行生活的檢視與創作價值的探討。
以下對本創作論述做扼要的說明：
第一章：緒論。包括研究動機、研究目的、研究內容與研究範圍。內容為
研究命題的界定，並說明與創作之問的關係。
第二章：自我的意識。內容為闡述個人繪畫上的意識內涵。首先以藝術史的
知識和美學的論證為基礎，探討抽象繪畫的多元性，再透過自我的紀錄，分析繪
畫線條與書寫行為的關係。
第三章：繪畫的結構。針對個人繪畫作品裡的形式與內容，包括：視覺比例、
色彩、繪畫空問和創作手法。
第四章：延伸繪畫的可能性。經由對照自己與美術史上的作品，探討抽象繪
畫形式與風格的發展，並進行個人繪畫延伸可能性的省思。

關鍵字

none

並列摘要

The master thesis, A Construction of the Reflection of Objects and Myself---A
Discussion of the Process of Narrative Paintings, purports to discuss and organize the
creator’s painting behavior of image constructions and creations through the emotional
sensing process between inner mind and the natural environment since 2003．The
experience of the creating process and the acquisition through which are analyzed and
generalized．
The foreword briefly explains the interdependent relationship between nature and
creatures．The creator’s value system developed from the growth experiences and the
love for nature is mentioned as well．In addition, the creator’s serial painting creations
through straight sensation and realization of nature are discussed．
Chapter I，"The Aesthetics Foundation of Realizations and Creations between
Objects and Myself'，describes the value system developed from the process of creator’s
growth and the experiences of natural modeling．The inspiration and influences of natural
environment on the creator’s modeling and creations are discussed as well，
Chapter 2, "The Evolvement of Image Construction and Painting"，aims to analyze
the evolvement of personal painting creations and image constructions．Furthermore, this
chapter describes in details about the creator’s artwork fabrication process, portrays the
in-depth meaning of the creator’s creations, and makes side-by-side comparisons among
the creator，s artworks．
Chapter 3，"The Synthetic Generalization and Comparison of the Creation Processes"，
is to analyze the extensive development of artworks, the creator’s physical and mental
status, and the relationship between time/space and the creator’s creating activities．
This thesis begins from tracing the creator’s growth background and then discusses the
built-up relationship between the creator and the nature．The related issue about
Aesthetics is considered too．These ideas connect to a series of creating activities
between year 2003 and 2005、a discussion of the creating process and meaning, and a
comparison among different creating styles．Furthermore, the evolvement of personal
expression approaches and material transformed are discussed．Finally, the thesis wraps
up with the induction of personal creation status and attitudes, physically and
psychologically, and all sorts of experiences during creating processes．

並列關鍵字

none

參考文獻

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主義出版社2000＞0

李建華、楊晶譯，杉浦康平著，《造形的誕生》，〈台北：雄獅圖書股份有限公司2000〉。

黃麗絹譯，Anna Moszynska著，《抽象藝術》，〈台北：遠流出版社1999＞。

吳玉成譯，Heiu-ry Focillon著，《造形的生命》，〈台北：田園城市出版社2001〉。