形色物件的自我情境

許多創作者關注於自己的創作風格在美術史上相關的傳承和根源，以及在當代的美術潮流中相應的觀點；畢竟藝術家在某種層面上期望作品在表達自己的觀點的同時，也能引起普遍的共鳴。而不斷的創造、和冒險，是創作者經常具有的態度，當然伴隨著的也有許多的自我矛盾和懷疑，有時在困惑煎熬之後，能夠在瞬時問享受一絲破繭而出的欣慰。在碩士班的學習過程中，有機會對於個人的創作質性和主觀的創作經驗，作出一番探討和陳述，目的在於更進一步發覺屬於個人創作的特質，和創作過程中所面臨的疑惑和可能的發展。我認為藝術和人生一樣並沒有固定的答案，而是人性不斷的發現和真實的顯露，並在此歷程中體驗充滿未知和驚奇的旅程。針對本篇創作論述，在此做扼要的說明：第一章緒論，闡述本文的研究的動機和目的，對於個人在抽象形色的創作上的體驗和審思，從平面的空間的形色結構，延伸到生活中的物件的題材，提出個人的思考和觀點。第二章從個人的創作背景，說明抽象繪畫創作的基礎和過程、對於抽象形色在平面空問的形式架構的疑惑，引發出轉向擷取生活中的物件的必要性和思考觀點，並就不同的空問的介面的創作發展，進一步探究物件空問對於個人在創作發展上的意義和可能。第三章從生活經驗和記憶中，深入探討個人與皮包物件和手工操作的關聯、皮包的造形所蘊含的普遍性的隱喻，並從中探尋其中個人的心理慾望的性質，以及在皮包的物件中自我慾望的投射“ 第四章就造形、材質、色彩、空間等要素，解析作品的形式，和創作的上的思考。第五章結論，對於本篇創作論述做出歸結與心得的整理，並藉由此篇探討引申出對於未來的藝術創作更進一步的發展。

關鍵字

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並列摘要

When explaining their works of art, artists often pay a lot of attention to where their works stands in terms of its origin and linage in the art history, as well as its corresponding point in the contemporary artistic trends. To a certain extent, this is because artists hope to evoke mutual understandings and feelings．The constant experiments on the artist’s part are like adventures in the artist’s journey to create, and the artist，s spirit is like that of an explorer. What comes with it is often self-doubt and conflicting emotions．And sometimes joy comes after a breakthrough from a long workout. During my graduate studies at the Taipei National University of the Arts（TNUA），I have had opportunities to learn more about the nature of my creativity as well as the experiences I was going through in producing my works．My aim is to further uncover possibilities in my creativity and to experience what that journey might bring to me. My thinking is that art, as with life, has no fixed answers. It is a journey full of the unknown and surprises，where the true colors of human nature have continuously presented itself and continuously been explored． The following are the main points of the contents of my thesis： The first chapter is an introductory chapter, explaining the primary motives and purpose of the analytical study in this thesis. From two dimensional space structures of colors and forms to the objects in our daily life, this chapter brings out my thoughts and viewpoints behind my creative endeavor in abstract art. The second chapter goes through my abstract painting background and training. Stemming from my doubts of the limitation of abstract forms and colors in the two dimensional structures，this chapter brings out the necessity for me, and the thinking behind it, to turning to objects in daily life for inspiration． It further discusses the possibility, and the significance for me, of using different dimensional medium in the development of my creative endeavor. The third chapter goes deeper into my meemories and my life, trying to find the relationship I have had with objects (shopping bags) and manual work involved in making the objects, as well as the general implied significance in the styles of the shopping bags. It is also an attempt to have an understanding of human desires and the nature of desires as projected and reflected from the simple object of a shopping bag． The fourth chapter analyses my art work in terms of its form and style, materials used，and various factors such as colors and spaces, etc. The fifth chapter is the conclusion．It points to future direction for my artistic endeavor and development.