摘要
在這篇創作論述中，我企圖以現階段的我來自省於攝影創作中各個階段的我。 用回憶與書寫去接近內在的我，找出我在攝影創作中的根源與想法。 在第一章中，我儘可能的去回憶在我攝影的經驗中，我對攝影的各種看法，以 及我攝影時的各種主觀態度和我如何看待底片及對象與我的關係。而這些關係與態 度來自於拍攝者（我）並透過相機指向對象記錄於底片上。 第二章中，敘述我使用底片攝影時，拍攝與後製的過程。與這個過程對我的攝 影的影響。 第三章中，敘述我將底片製成照片後。照片與底片和對象的關係。照片與我的 關係。單張照片與一組照片的意義。
關鍵字
none並列摘要
"In the means of memory recall and dictation, this paper is intended to reach the muse of my previous photography works, in the viewpoints of my being, with a hope to get acquainted with my inner self. Therefore, in the first chapter, clarification is presented of my perspectives of films, objects and me, as a photographer. In the following chapter, the process of film shooting and editing is described, and so is the influence of the process on me. In the final chapter, the relation of photos, films and models is examined after the films are developed. In addition, the meaning of a single photo and a series is also negotiated in this chapter."
並列關鍵字
none參考文獻
延伸閱讀
- 吳垠慧（2017）。攝影的價值在於記錄。PAR表演藝術雜誌，(289)，110-110。https://www.airitilibrary.com/Article/Detail?DocID=10213139-201701-201701230008-201701230008-110-110
- 顏博震（2007）。科技介入藝術：數位時代中的攝影本質及其當代社會應用〔碩士論文，崑山科技大學〕。華藝線上圖書館。https://doi.org/10.6828/KSU.2007.00037
- Chen, Y. L. (2005). 影像中的空間關聯法則 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2005.00409
- Affleck, J. (2007). Memory capsules [doctoral dissertation, The University of Hong Kong]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0029-1812201200012435
- 林晏竹（2015）。Supplement of Memory．Being in Place〔碩士論文，國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2015.00058