莫札特歌劇《唐．喬望尼》之艾薇拉角色的詮釋與研究

The Interpretation and Research of (the role) Elvira in Don Giovanni by Mozart

蔡月雪(Yueh-Hsueh Tsai)

指導教授 ： 林惠珍 ； 盧文雅

國立臺北藝術大學/音樂學院學術論文/音樂系碩士在職專班音樂專業師資教育組/碩士(2013年)

https://doi.org/10.6835/TNUA.2013.00070

摘要

中文摘要

莫札特(Wolfgang Amadeus Mozart, 1756-1791)出生於十八世紀，這是歐洲啟蒙文學覺醒的時代，也是人們急於探索與研究自然法則的萌芽期。

十八世紀初是以文學為開端的法國啟蒙運動時期，影響整個歐洲的政治及宗教改革，人民因長期的情緒及精神的擠壓，在文學家的鼓吹及帶領下起而抗衡，到了中期德國興起了狂飆運動，導致人民不滿的高漲情緒，延燒到後期法國大革命爆發出整個歐洲的經濟和政治與宗教問題，本文將以此做為時代背景的研究，並探討莫札特在惡劣與不安的改革世界裡的學習過程，及如何在動盪的環境裡譜出悠揚的歌劇樂音存留至今。

從他創作的二十八部歌劇作品中，藉由喜歌劇《唐．喬望尼》(Don Giovanni)將歐洲各國之喜歌劇的源起做分析，把相關的劇本及書籍做比對和調查並分析角色性格和劇情概述。將莫札特喜歌劇的創作時期，及受時代背景影響下所衍生出來的貴族女性唐娜．艾薇拉(Donna Elvira)的樂曲詮釋歸納為四大節：一、艾薇拉的角色分析，二、〈啊！有誰能告訴我〉樂曲分析與詮釋，三、〈啊！逃離那個叛徒〉樂曲分析與詮釋，四、〈神啊！多麼過份〉樂曲分析與詮釋。特別在第五節當中以歌劇《女人皆如此》朵拉貝拉（Dorabella）為例做比較，並將音樂上的分析探討陳述於本文內。

關鍵字

關鍵詞：莫札特 ； 喜歌劇 ； 唐．喬望尼 ； 唐娜．艾薇拉

並列摘要

Abstract

Wolfgang Amadeus Mozart (1756-1791) was born in the 18th century. It was an age in which European enlightenment literature awoke. It was the germination stage when people were keen to explore and study natural principles.

18th century is the Age of Enlightenment, a French cultural movement started with literature that brought a political and religious revolution in the entire Europe. As the people were emotionally and spiritually depressed over a long period of time, they had, under the advocacy and leadership of litterateurs, stood up to fight with the environment. This movement then evolved into the German Storm and Drive in the middle stage and raised people’s dissatisfaction that continued to the later stage, the French Revolution. It was a revolution that economic, political and religious issues of the entire Europe all got exploded during this period. This paper aims to study the background of this period and to discuss how Mozart learned things in this harsh and disquieted world of reforms; and how he wrote melodious operas and beautiful notes in this turbulent period and had them reserved till today.

Among 28 operas created by Mozart, the author has chosen the opera buffa “Don Giovanni” to analyze the origin of opera buffa in European countries by comparing and investigating relevant operas and books, analyzing the character personality, and summarizing the story of this play. The author has chosen Donna Elvira, an aristocratic woman invented under the influence of the big environment and in the period that Mozart was creating opera buffa, as the study target and divided the composition into four sections: 1. An analysis of Elvira’s character personality; 2. Analysis and interpretation of “Ah, Who Will Ever Tell Me” (“Ah chi mi dice mai”); 3. Analysis and interpretation of “Ah, Escape From This Traitor” (“Ah, fuggi il traditor!”); 4. Analysis and interpretation of “That Ungrateful Wretch Betrayed Me” (“Mi Tradì, Quell'alma Ingrata”). In the fifth section, the author has specially compared Donna Elvira with Dorabella in the opera “Thus Do They All, or The School for Lovers” (“Così fan tutte, ossia La scuola degli amanti”) and summarized relevant analyses and discussions in this paper.

並列關鍵字

Keywords: Mozart ； burletta ； Don Giovanni ； Donna Elvira

參考文獻

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《大英百科全書線上版》(Encyclopedia Britannica Online)

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