- 學位論文
〈幻境〉-實擬虛境，超越現實的水墨造境
〈Wonderland〉 – Real virtual, The emptiness ink depicted a wonderland and attempted to transcend the reality
摘要
二十世紀電腦繪圖的蓬勃發展，即便平面的影像能夠輕易的描繪出各種畫面，但僅限於平面的影像再也無法滿足人們的想像，科技的進步促成了許多立體顯示技術的發展，整合各種感官的顯示技術也紛紛出現，在本論文中所要探討並且實驗的是實體立體影像在現實世界中的可能。 在此篇論文中，我將提出兩件作品藉此探討本篇論文的主題，這兩件作品皆是以獨特的化學感光顏料所做成，能夠即時的在空間中產生動態的立體圖像，如有生命的生物般的影像不斷的從另一個空間爬出，隨即又消失在空間裡，藉此提供觀者一個如夢般的觀看體驗，在〈幻境〉和〈幻景〉兩件作品中，透過和觀者的互動，利用化學變化的現象即時在裝滿透明溶液的罐子裡形成一個動態的圖形，產生的圖形會隨物理環境和觀眾的觀看方式有所改變，探討觀者的想像和作品間的關係。 論文的最後，則是提出〈幻景2〉的實驗和計畫，透過實驗和記錄了解感光顏料的限制和變化，並提出可行的計畫，藉此探討化學媒材在創作上的更多可能以及未來的發展方向。
並列摘要
In twentieth century, the age of the rapid development of computer graphics, We can make any kind of scene easily. However, the flat images can’t fulfill our imagination. The rapid progress of the science and technology led to the development of 3d display. Many kinds of sensors and display technologies have also emerged. This thesis discusses the possibilities of the real virtual in the real world.
In this thesis, I will discuss the theme by two pieces. Those pieces were made by unique photographic ink. They produced dynamic images, like living organisms climb out of dark space and soon afterward disappeared in this space. To let the audience experience a dream-like viewing experience. Those pieces produced dynamic images in the container by interaction with audience. They were trying to display the relationship of the imagination and real world.
In the end of this thesis, I bring up an experiment of the third piece-