巴洛克時期的大提琴演奏技巧－以巴哈第五號大提琴無伴奏組曲（BWV 1011）為例

A Discussion of Cello Playing Techniques During the Baroque Period, Using J. S. Bach's Suite No. 5 for Solo Cello (BWV 1011) as an Example

王年愷(Nian-Kai Wang)

指導教授 ： 鄭伊晴

國立臺北藝術大學/音樂學院/管絃與擊樂研究所碩士班/碩士(2006年)

https://doi.org/10.6835/TNUA.2006.00062

摘要

本文以巴哈第五號大提琴無伴奏組曲為實例，探討巴洛克時期主要的大提琴演奏技巧與風格。第一章先綜論大提琴早期的演變與發展，及其在現代絃樂器家族裡的地位。第二章分別就演奏姿勢、左右手的握法與手形、運弓法和抖音，說明十八世紀前半的大提琴演奏法，與今日吾人所習之演奏法之異同。第三章將前二章之討論綜合，並以巴哈第五號大提琴無伴奏組曲為實例，分別就該組曲每一樂章討論其應用，並補充論述各樂章之演奏風格與特殊的技巧。

關鍵字

巴哈 ； 大提琴 ； 無伴奏 ； 巴洛克

並列摘要

This thesis (written in Chinese) is an attempt at a survey of cello playing techniques during the Baroque period, particularly of the first half of the 18th century. Chapter 1 provides a description of the early history of the cello, and its position in the modern violin family. Chapter 2 is devoted to a discussion of cello playing techniques during the first half of the 18th century, focusing particularly on playing posture, shape of both hands, bowing and vibrato, and the discrepancies thereof between 18th century and modern performance practice. Chapter 3 applies the preceding discussion to Bach's Suite for Solo Cello in C Minor, discussing details in the application of Baroque performance technique, and providing suggestions regarding style and certain technical problems.

並列關鍵字

Bach ； cello ； suites ； baroque

參考文獻

The Rebec Page. Available from http://crab.rutgers.edu/~pbutler/rebec.html. Internet; accessed April 22, 2007.

Donington, Robert. The Interpretation of Early Music, new revised edition. New York: W.W. Norton, 1992.

Mozart, Leopold. A Treatise on the Fundamental Principles of Violin Playing. Translated by Editha Knocker, 2nd ed. Oxford University Press, 1985.

Walden, Valerie. One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840. Cambridge University Press, 1998.

Barriere, Jean. 6 Sonates pour le Violoncelle avec la Basse Continue. Paris, 1733.