摘要
本論文主要分為五個章節，第一章，為作者與舞蹈相遇的過程，藉由介紹作者的經歷及背景，來了解作者在一路學舞的過程中遇到的困難與突破，進而影響其接下來在舞蹈的旅途中對專業的堅持與喜愛。除了在專業科目的訓練外，作者在求學過程也學習了關於行政工作的運作方式，培養自己在活動中組織及計畫的能力。為了學習更多舞蹈領域的相關知識，決定繼續升學。第二章，以探索自己的身體為目標，反思在過去經驗裡因受到一些舞蹈派別及自己個性的影響，而使自己發展出一種慣性的表現方式。透過研究所的課程挑戰了一些以前沒有嘗試過的風格或表現方式，讓我體悟到表演藝術中還有很多我還沒有探索過的地方，使我更想要嘗試自己不擅長的舞蹈風格。第三章，將透過舞作分析初探三首作品的結構、表現內容及舞者的詮釋，重新回顧三首作品，〈這裡，那裡〉、〈身體記得的〉、〈你＆我. 我＆你. 他＆他〉，從發展、組織到最後的詮釋演出。第四章，主要利用拉邦動作分析的勁力(Effort)更深入的去探討動作與情緒的連結。不同動作質地的表現凸顯了舞者在情緒上的轉換，讓觀者能更清楚的了解，動作與情緒間的關係。最後一章以反思整個製作的過程為主。從行政上的安排到舞者的詮釋進行全面性的檢討。了解一個製作必須要進行的合作關係，透過彼此的溝通協調找到在多個專業領域裡的平衡關係。並期許自己在未來的路上也能夠一直反思關於「身體」的事情。
並列摘要
This thesis is divided into five chapters. In chapter one, I focus on how I entered the world of dancing. Through a brief introduction of my background in the dance study, I intend to let reader understand how I was trained as a student within the dance education system in Taiwan. In chapter two, I analyze the concept of “self-body.” I relate past experience in dance to my own personality. Through my study in the dance graduate program, I explore how I transformed my education into three styles incorporated in my graduated performance. In chapter three, I explore the lighting, music, props and space on the stage to re-examine how those impact my action in the performance. More important, I would like to relay the meaning of relationships between dancers. Besides movement analysis, I have employed basic psychoanalytic perspective to analyze the variety of time, space and the role of the performance. In chapter four, I apply the eight Efforts of Laban Movement Analysis, to explore the connection between motion and emotion in my performance. I intend to display how the different movements show emotional changes on dancers. With a psychological perspective, I can examine specific need of the performance. In the final chapter, I review the performance of “Companion,” the title of my full graduate concert. These three works link the cooperative relationship and decision-making that is reflected in my performance. Here, I discuss the essence of communication and coordination among body movements and relationships in all fields with psychological analysis.