交織的感知

本創作論述分四部分呈現。第一章陳述創作背景、方法與媒材，從大學進入雕塑創作以來對於手作與材質的思考切入。第二章則是關於創作元素的分析；軟性材質的傾向、材質選擇與手作和重複身體操作勞動的關係、以及創作中低限的特質。第三章是透過纖維作品「小窩」的分析回應第二章的部分內容，以及作品造形從單件雕塑到空間延伸可能性的出現。第四章從空間裝置作品中特殊身體觸感的察覺，轉而將細微的身體觸感由材質造形的視覺呈現的作品分析。

關鍵字

軟性；手做；重複；低限；編織

並列摘要

This thesis was divided in four parts. The first chapter was expressing the background, technique, and the media through the author’s view toward the “hand-made” and the “material” from the time started doing sculpture in college. The second chapter was the analysis of the elements: the tendency toward the soft material, the chosen of material, the connection between “hand-made” and repeated physical work and the minimum characteristic in creation. The third chapter was responding the second chapter through analyzing the work “Nest”, and the appearance of sculpture work from single piece to the possibility of extended in space. The forth chapter was the analysis of works which noticing the unique physical tactility in installation works then transformed visually through material and molding to express the minimum physical tactility.