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  • 學位論文

電影作品《我的告別式》 創作論述

A Critique Essay on the Graduation Film My Funeral

指導教授 : 李道明
共同指導教授 : 廖慶松 王童(Toon Wang)

摘要


《我的告別式》這部短片講述一個葬儀社老闆在生命將走到盡頭之時,有了一個機會得以演練自己的告別式,並在這過程中重新思索自己的生死觀,以及發現生命中真正重要的事物。 「死亡是無解的謎,但線索就在生命裡。」在《我的告別式》的故事中,死亡表現在繁瑣的儀式中。人類借由儀式幫助自己理解死亡,但儀式隨著時代和經濟發展改變時,人們對死的理解卻未曾改變。筆者在探索這一命題的過程中,也漸漸明白唯有探索生命,才有機會更了解死亡。 本論述將從本片類型、調性、表演、攝影、燈光、美術、聲音等方面來檢視本作品,另外也探討影片製作過程的執行和檢討,以及筆者的收獲和反省

關鍵字

死亡 儀式 家庭

並列摘要


“My Funeral” is a story about a funeral director who had a chance to practice his own funeral before the end of his life, to rethink the idea of death and to discover what really matter in one’s life. “Death is an unsolvable question, but we can find clues in our life.” In this story, death is revealed by ceremony. Mankind always try to understand death through complicated ceremonies. But when ceremony itself changed through time, our question about death still remains. When developing the graduation project, I came to realize that I can only understand death by explore life itself. This essay examines this graduation film from the perspectives of genre, tonality, acting, cinematography, lighting, production design and sound design. I also review the mistakes I made during the making of this film. Finally I try to understand what I have learned from this process.

並列關鍵字

death ceremony family.

參考文獻


李民峰(2004)。《台灣殯葬史》。臺北:中華殯葬禮儀協會。
Gawande, Atual(2014)。《凝視死亡》(廖月娟譯)。臺北市:遠見天下文化。
Schatz, Thomas(1999)。《好萊塢類型電影》(李亞梅譯)臺北市:遠流。
Dancyger, Ken & Jeff Rush(2014)。《電影編劇新論(四版)》。( 易智言等譯 )。臺北:遠流。
姚漢秋(1999)。《台灣喪葬古今談》。臺北:臺原。

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