弗朗茲.李斯特(Franz Liszt, 1811-1886),是匈牙利鋼琴演奏家和作曲家,浪漫主義音樂的代表人物之一。 李斯特創造了「交響詩」的樂曲形式,並開拓了鋼琴的表現力。他一生創作了七百多首音樂作品,著名的作品有十二首交響詩、兩首鋼琴協奏曲以及大量技巧艱難的鋼琴作品。另外,他創作了八十二首藝術歌曲,包含了德文、法文、義大利文、匈牙利文、俄文和英文。有不少音樂家受到李斯特的提拔,如白遼士、舒曼、華格納等。就十九世紀歐洲樂壇而言,李斯特佔有舉足輕重的地位。 本文以李斯特的生平及藝術歌曲出發,再探究詩人佩特拉卡的生平,進而針對《三首佩特拉卡的短詩》進行演唱詮釋及樂曲分析的探討。期望藉此能對歌曲的內涵有更深刻的體會,進而讓李斯特藝術歌曲為更多人所傳唱。
Franz Liszt (1811-1886) is a Hungarian pianist and composer. He is one of the most representative composers of the Romantic era. Liszt invented the music form “symphonic poem” and explored the expression of piano playing. He composed more than seven hundred pieces, including twelve symphonic poems, two piano concertos, and a great amount of virtuoso piano works. In addition, he wrote eighty-two art songs (Lieder) in various languages, including German, French, Italian, Hungarian, Russian and English. Well known composers such as Berlioz, Schumann and Wagner are all elevated by Liszt. Liszt can be seen as one of the most remarkable musicians of the 19th century in Europe. This thesis first mentioned the background of Liszt and his art songs, then goes into the life of the poet Petrarca, whose poem Liszt applied to his fabulous work, Tre sonetti di Petrarca. Eventually the author analyzes the interpretation and the form in expectation of having more profound understanding of the work and encouraging more people to perform it.