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  • 學位論文

意識的維度-即時虛擬實境

Axis Of Mind - Live VR

指導教授 : 史明輝
共同指導教授 : 王福瑞
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摘要


摘要 第一章緒論,探討虛擬實境的世界觀念,接續地從攝影拍攝技術角度切入,用虛擬實境世界,人所在位置外擴出視覺世界觀,早期對宇宙觀念是否因為虛擬實境興起而有所顛覆。而至現今虛擬實境的實踐,讓此曾在的攝影概念完全的進化,時間性無限擴張。此後,進入文獻以及VR歷史的探討,做出時間軸的演進史,屬於片段過程的參考,因為現在此領域還在壙張中。 第二章 欲望機器的轉換-由欲望驅使的動力,即將反轉。此論述的核心將放在人的自主欲望,方向性轉換,早期我們有選擇媒體權力,這權力配重將放置在人方向上,由人類驅力走向媒體。然而時至今日,不在是這種" 人-機器 "的方向性主導了,而是另一種力,由媒體的力向內迫,逆反的進入人體驅使之。我們已經進入工業革命4.0的論述年代。保羅維希留(Paul Virilo)在消失美學當中的反媒體,失神顛等症狀再次在現況下表露無遺。拍攝者位置的消失或內縮,羅蘭巴特(Roland Barthes)的明室攝影札記當中所談到的三個大的面向:知面、刺點、此曾在的擴增。 第三第四章LiveVR與 超越真實的真實。此篇章當中將以自身的創作實例,來切入探討,欲望改變下的機器結構,進而談到VR裝置在商業,或電影方面的應用。或人類求"真"的精神,從後製的年代盡情的虛假,到虛假超越真實,而致虛假即為真實,直至最終極的完全篇章,LiveVR。此章當中將會以作品意識的維度-LiveVR實驗,在虛擬世界當中身體的轉換。媒體VR拍攝的,同理心的溢出,或極致導致同理心的消失,以及身體的適應。

並列摘要


The first chapter discusses the concept of virtual reality world, successively cut from a technical point of shooting photography, virtual reality world, where people extended a visual view of the world, whether the concept of the early universe because of the rise of virtual reality vary subversion. And now to the virtual reality of practice, so this concept was in full evolution of photography, timeliness unlimited expansion. Thereafter, into the literature and to explore the history of VR, made history Timeline of evolution, belong to reference fragments of the process, because this area is still Khouang Zhang. The second chapter desire to convert the machine - driven by the desire for power, is about to reverse. The core of this discussion will be on people's desire for autonomy, directional conversion, early we have a choice of media power, this power will be placed in the counterweight direction of people, from human driving force to the media. Today, however, this is not "man - machine" dominated the directionality, but another kind of force, forced by the media inward force, driven into the body of the rebellious. We have entered the era of the Industrial Revolution 4.0 discussion. Bao Luo Weixi left (Paul Virilo) disappearing among the anti-media aesthetics, absence Britain and other symptoms again in the current situation revealed. Disappear photographer position or retracted, three large-oriented Roland Barthes (Roland Barthes) among the next room are talking about photography Notes: known faces, barbed point, this had amplified. Chapter IV LiveVR and beyond the real truth. This chapter will be among their own creations instance, to cut into the discussions under the desire to change the structure of the machine, and then it comes to the commercial application of VR devices, or aspects of the movie. Or human seeking "true" spirit, from the system's false enjoy, to go beyond the false true, caused the false is true, until the final chapter in a very full, LiveVR. This chapter of which will be in the dimension of consciousness -LiveVR experiment works, the body converts them in the virtual world. Media VR shooting, empathy spill or lead to the ultimate disappearance of empathy, and physical adaptation.

並列關鍵字

VR S3D Live Broadcast DigitalArt

參考文獻


1. 《新時間簡史A Briefer History of Time》 ,作者:史蒂芬.霍金、雷納.曼羅迪諾,原文作者:Stephen Hawking、Leonard Mlodinow,譯者:郭兆林、周念縈出版社:大塊文化,出版日期:2012/06/27
2. 《消失的美學,Esthetique de la disparition》,作者:保羅.維希留 , 譯者:楊凱麟,出版社:揚智,。
3 《欺矇的戰略Strategie de la Deception》 ,作者:保羅.維希留 Paul Virilio,譯者:陳惠敏、蕭旭智,出版社:麥田
4.《旁觀他人之痛苦,》原文名稱:Regarding the Pain of Others,語言:繁體中文,出版社:麥田,作者:蘇珊.桑塔格
4. 《明室•攝影札記La chambreclaire》 ,作者:羅蘭•巴特,原文作者:Roland Barthes,譯者:許綺玲編者:蕭永盛,D出版社:台灣攝影,出版日期:1997/12/01.

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