交相遇—當事件與場景浮現

對於日常生活(Daily Life)的習慣與無感，當某一事件(Event)產生時，自常軌軸線中斷裂，經歷與反應成為不同於日常的特殊情境。作為藝術創作者，這樣的經驗直接成為素材搜集的來源，我不斷「遇見」抑或「目擊」某些事件，並在事件發生當下的此時此地透過影像記錄留存。而在紀錄過後，這類影像轉化為創作的基底，經由創作過程重組與編輯自日常中斷裂的事件。在操作上，或許是將特定的個人經驗與角色剝離，重新架構事件相遇的節點，透過裝置與影像製造場景，讓事件中已逝的過去經驗移轉入創作之內，且不僅是紀錄後的擬製或再現，而是成為帶有斷點與線索的場景在藝術場域作用，開啓與觀眾相遇的另一種閱讀經驗可能。在這次論文的書寫中，我重新思考作品如何在展場中建構一個相遇的場域，並將思考的過程紀錄與開展，一切都是在現實中具有對應時間的某刻，被截斷而後在展場中接續，成為一個重新遇見的事件場景。

關鍵字

相遇；目擊；事件；日常；影像；意外事件

並列摘要

Settling in daily life habits and insensibility, when an event breaking off from routine orbit occurs, we experience and react to it as a particular situation. Experience of this nature directly becomes the source of material accumulation for an art creator like myself. I have constantly “encountered” or “witnessed” some events, which were kept alive through the recording of the images at the moment of occurrence. After the act of recording, subsequent artistic transformation follows--using acceptable and readable artistic language, the experiences of the rupture from the daily events are realigned and edited. Perhaps through the withdrawing of specific personal experience or role, the images which prove the existence of the events (of rupture) cease to be merely the re-appearance or re-presentation of the recording (of the events). Instead, they provide another outlet for the possibility of yet another different reading experience. Through the writing of the thesis, I start pondering afresh how works can construct an “encounter” scene in an exhibition and how I can not only record the thinking process but also expand it—all of these become possible because of the correspondence between the reality and certain moment, the rupture and subsequent expansion at the exhibit, leading to a new encounter of an event scene.